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Profile of Swiss Wunderkind Äneas Humm on TV

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Äneas Humm on his US/European tour
Swiss television station SRF will feature a profile of Swiss wunderkind Äneas Humm at 21:40 on July 6th. If you're not in Switzerland, we'll be posting information about the recorded video, which will be available worldwide.

The show will feature the 19-year old barihunk, who quit school against all advice to aggressively pursue are career in opera. At 14, shortly after winning the Schweizerischen Jugendmusikwettbewerb (Swiss Youth Singing Award), he was already featured on SRF (see below) and quickly progressed from boy soprano to tenor to baritone.

Äneas Humm sings Schubert's "Nacht und Träume":

After a successful stint with the Zurich Boys Choir, he went on to study with the gifted soprano Krisztina Laki and Thomas Mohr at the University of Arts in Bremen. He furthered his studies in Winterthur, where he gained valuable stage experience singing in operetta, as well as concerts and oratorios.


He currently wrapping up a tour of Bremen, Zürich, New York, Duluth and Bern where he sang lieder, including works by Schubert and Schumann. He'll be performing a liederabend in Zürich on September 8th at the Lyceum Club with accompanist Mikhail Berlin. In February, he returns to singing operetta when he sings the role of Graf Homonay in Johann Strauss'Der Zigeunerbaron at the Operettenbühne Vaduz.



Baseball, Opera and Baritones in Ball Gowns

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Vanessa Bousay aka Erik Chalfant
San Francisco's local classical music station KDFC held a contest called the "Star Spangled Sing-Off" with the winner performing the national anthem at the live simulcast of the San Francisco Opera's La Traviata at AT&T Park,  home of baseball's San Francisco Giants. Over 80,000 listeners voted for the 74 contestants and the winner was Vanessa Bousay, a character created by classically-trained baritone Erik Chalfant.

Phyllis Curtin
Chalfant, who studied with the legendary operatic soprano Phyllis Curtin, created the character of Vanessa Bousay as a tribute to the woman he dubs his "teacher, mentor and friend." He holds the Master of Music degree in Voice Performance from Boston University, School For The Arts. He is an alumnus of the Tanglewood Music Center in Lenox, Massachusetts, and the Britten-Pears School For Advanced Musical Studies in Aldeburgh, England.


In San Francisco, Vanessa Bousay has appeared at Yoshi's, Martuni's Piano Lounge and a variety of fundraising galas. Her beloved charity is the Tenderloin Tessie Holiday Dinners, benefitting the citizens of The Tenderloin. Chalfant refers to his character as "a talented songstress ... created by (a) proud San Franciscan."

The San Francisco Opera simulcast of Verdi's La Traviata from AT&T Park will be on Saturday, July 5, 2014 at 8:00 PM. You can sign up for tickets at www.sfopera.com/simulcast, or just show up at the game...um, opera. The cast of the opera also includes barihunk Hadleigh Adams as the Marquis d'Obigny. Performances at the War Memorial Opera House run through July 13 and tickets are available online.

Zachary Gordin returns to Olympic Music Festival

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Zachary Gordin as seen in the 2014 Barihunks Calendar


After a successful debut with the Olympic Music Festival last year, barihunk Zachary Gordin was invited back to perform this year in "Arias & Arguments: from Love to Loss in Four Acts." The four acts are Courtship, Honeymoon, Conflict and Parting.

He will be joined on July 5 and 6 by soprano Shana Blake Hill and accompanist Paul Hersh in a program of arias and duets. The duo will perform music from Mozart's Don Giovanni, Leoncavallo's I Pagliacci, Puccini's La boheme, Monteverdi's  L'incoronazione di Poppea, Massenet's Manon, as well as numerous songs.

The festival was founded on Washington's beautiful Olympic Peninsula in 1984 by Alan Iglitzin, a long-time member of the Philadelphia String Quartet. Since its opening season, the Festival has grown from three weekends to eleven and is attended by more than 10,000 people.

Festival performances are broadcast on Seattle's KING-FM. The season runs through September 7th and you can find the entire program online.



Celebrating Independence Day with American Opera

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American composers Marc Blitzstein and Jake Heggie
American opera didn't happen until more than 140 years after the first opera, Jacobo Peri's Daphne. William Henry Fry is considered the first American opera composer. He wrote the unperformed Aurelia the Vestal in 1841 followed by Leonora in 1845. Most early American composers are forgotten today. Perhaps the first who are remembered today are Walter Damrosch, Scott Joplin, Louis Gruenberg, Roger Sessions and Victor Herbert.

One composer who is largely forgotten today is Harry Lawrence Freeman, an early African-American composer who supported himself and his own opera company during his lifetime and performed to largely black audiences. In 1893, his opera Epthelia was the first opera performed in the U.S., which was written by an African-American composer.

Before the advent of World War II, a number of prominent American composers emerged whose music endures today, including Marc Blitzstein, Virgil Thomson, George Gershwin, Douglas Moore, Aaron Copland and Gian Carlo Menotti. Perhaps the most enduring works from this period are Thomson's Four Saints in Three Acts and Gershwin's Porgy & Bess.

William Sharp sings Marc Blitzstein's song "Monday Morning Blues":

Marc Blitzstein is best remembered for his opera Regina, his musical The Cradle Will Rock and his adaptations of Kurt Weill/Bertolt Brecht musicals, even though he was notoriously critical of Weill for trying to appeal to mass audiences.  Regina is an adaptation of the Lillian Hellman play The Little Foxes. It was completed in 1948 and premiered the next year. The musical style has been described as new American verismo, abounding in the use of spirituals, Victorian parlour music, dance forms, ragtime, aria and large, symphonic score

William Warfield and Leontyne Price sing "

Porgy & Bess features a number of baritone and bass-baritone roles, including Porgy, Jake and Crown. Porgy gets to sing the classic "I got plenty o' nuttin'" and "Bess, o where's my Bess?, "as well as an amazing duet. Jake gets to sing A woman is a sometime thing, while Crown sings "A red-headed woman."

Virgil Thomson composed four operas and the two most popular were collaborations with author Gertrude Stein. He was influential in the creation of what is known as “American Sound” and was awarded Yale University’s Sanford Medal and the National Medal of Arts.

Douglas Moore is unusual,  in that he was most famous for his operas, not his popular music. Although he composed ten operas, his most well-known is The Ballad of Baby Doe. He was a significant figure in both the advancement of American music and music education.  Horace Tabor, who has the best music for a male character, was written for a baritone. His main pieces include "Warm as the autumn light" and "Turn tail and run then."

Michael Hewitt sings "Warm as the autumn night":


The second half of the 20th Century saw the emergence of some of America's greatest composers ever, including Hugo Weisgall, Dominick Argento, Carlisle Floyd, Samuel Barber, Thomas Pasatieri, Philip Glass, John Adams and Stewart Wallace. In 1955, Carlisle Floyd wrote what many consider America's greatest opera, Susannah, which remains in the standard repertory today.

Long before the composing couple of Mark Adamo and John Corigliano emerged, America was blessed with lifelong companions Samuel Barber and Gian Carlo Menotti, who wrote some of the greatest operatic works in history. Barber penned Antony & Cleopatra and Vanessa, the latter with a libretto by Menotti. Antony and Cleopatra was commissioned to open the new Metropolitan Opera House at Lincoln Center in 1966 with Leontyne Price and Justino Diaz. 

Eric Halfarson sings the Death of Enobarbus from "Antony & Cleopatra":

Gian Carlo Menotti wrote the most performed American opera ever written, Amahl and the Night Visitors. His impressive list of operas include The Consul, The Saint of Bleeker StreetAmelia Goes to the Ball, The Old Maid and the Thief, The Telephone and The Last Savage. In 1958, Menotti founded the Festival of Two Worlds in Spoleto, Italy and then founded its companion festival in Charleston, South Carolina in 1977.

The 21st century has seen an explosion of interest in living American composers, including Tobias Picker, John Adams, Philip Glass, Jake Heggie, Mark Adamo, Ricky Ian Gordon, Anthony Davis, Steve Mackey, John Corligliano, Daron Hagen and John Harbison. Philip Glass has been successfully writing operas for 35 years, with such major successes as Hydrogen Jukebox, Einstein on the Beach, Kepler, Satyagraha and Appomattox. He has composed over twenty operas.

Martin Achrainer in Philip Glass'"Kepler":

Although he is far less prolific than Glass, many people consider John Adams an equal to Glass as the greatest living American composer. His masterpiece is considered Nixon in China, which is currently being performed in theaters around the world.  His other somewhat less successful opera is The Death of Klinghoffer However, it has received worldwide press attention over the Met canceling the Live in HD broadcast of the opera over concerns from Jewish groups.

Perhaps the modern day wunderkind of American opera is Jake Heggie, who has strung together a remarkable number of operas which are entering the standard repertory. His 2000 opera Dead Man Walking is becoming an audience favorite far beyond the U.S. shores. Of course, we love it, because it has become a major vehicles for barihunks who are portraying the convicted killer Joseph De Rocher. His other successes include The End of the Affair, Three Decembers and the recent hit Moby-Dick 

Randal Turner sings Tom Joad's aria from The Grapes of Wrath:

But the busiest composer in 2014 has to be Ricky Ian Gordon with his singable melodies. His most recent opera "27" with a libretto by Royce Vavrek is about about the singular world of Gertrude Stein and Alice B. Toklas. It opened on June 14th at the Opera Theatre of St. Louis. Three months earlier, he opened A Coffin in Egypt at the Houston Grand Opera, which was written for superstar diva Federica von Stade. It's already had subsequent performances in Los Angeles and Philadelphia.  

Have a happy and safe 4th of July and celebrate some American music! 

Barihunk Festival at Salzburg Festival

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Add Günther Groissböck and Alessio Arduini

The 2014 Salzburg Festival will run from July 18-August and will feature barihunks in almost all of their productions, including many of the biggest names in opera.

The Festival will be paying tribute to Richard Strauss' 150th  birthday by performing Der Rosenkavalier. The opera will feature barihunk Günther Groissböck as Baron Ochs in his role debut (which he will reprise at the Met). The cast also includes Krassimira Stoyanova as the Marschallin and Sophie Koch as Octavian.

The Festival will continue their Mozart/da Ponte cycle introduced in 2013 with a new production of Don Giovanni directed by Sven-Eric Bechtolf. The cast includes a trio of barihunks led by Ildebrando d'Arcangelo in the title role, Luca Pisaroni as his sidekick Leporello and the dashing Italian baritone Alessio Arduini as Masetto.

René Pape will be featured in a concert performance of music from Wagner's Tristan und Isolde featuring the prelude, Act 2 and Isolde’s transfiguration featuring Waltraud Meier.

Austrian barihunk Markus Werba will sing Roland opposite the Florinda of Dorothea Röschmann in Schubert's rarely performed Fierabras. The libretto combines two episodes from the cycle of legends associated with the Frankish leader Charlemagne and is set against the background of the skirmishes between Christians and Muslims.

Jean-Sébastien Bou and Markus Werba
Baroque specialist Jean-Sébastien Bou will star in the premiere of librettist Barbara Honigmann and composer Marc-André Dalbavie's Charlotte Salomon, which is dedicated to Gerard Mortier. Directed by Luc Bondy, Charlotte Salomon is based on the work of a Jewish artist who died at age 26 in the gas chamber at Auschwitz. Saloman fled to southern France following the Kristallnacht pogrom in Berlin where she joined her grandparents. Her grandmother threw herself to her death from an upstairs window, which was the same way that her mother had died when the girl was nine.

Other productions include Anna Netrebko as Leonora in Verdi's Il Trovatore, which includes Plácido Domingo in the baritone role of the Count di Luna, Rossini's La Cenerentola with Cecilia Bartoli and a children's performance of Mozart's Die Entführung aus dem Serail featuring Salzburg young artists.

All in all, the Festival will feature over 250 performances including opera, theater and concerts. Tickets and additional performance information is available online.

Watch the Glyndebourne Don Giovanni online

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Gerald Finley and Luca Pisaroni at Glyndebourne
You will be able to watch the acclaimed 2010 production of Mozart's Don Giovanni from Glyndebourne online. It features three of the greatest low voices around today, Gerald Finley in the title role, Luca Pisaroni as Masetto and Guido Loconsolo as Masetto. Also not to be missed in this production is the Don Ottavio of William Burden and the Donna Anna of Kate Royal.

The video will go live HERE at 3pm London time (10 AM EST/7 AM PST) on July 6 and remain online until Sunday, July 13.

Critic Rupert Christiansen, writing about Gerald Finley as Don Giovanni and Luca Pisaroni as Leporello, wrote: "Suavely ruthless, Finley was both steely monster and molten charmer, singing with a firmness, clarity and stylistic elegance that I can’t easily imagine surpassed. Pisaroni made a delightfully goofy but treacherous Leporello, both his master’s alter ego and his rival." 

Interview with stars of Cincinnati Opera's "Silent Night"

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Gabriel Preisser(Photo: Provided/Opera Philadelphia, Dominic Mercier)
As the Cincinnati Opera gears up to be the latest company to present Kevin Puts' Silent Night, the Cincinnati Enquirer sat down and interviewed three of the leading baritones from the production. Here is the interview with Craig Irvin, Gabriel Preisser and Andrew Wilkowske.

You were all in the world premiere at Minnesota Opera in 2011. Tell us about your characters.
Preisser: I play Lt. Gordon, the Scottish lieutenant who proposes the truce. I think he’s the kind of person who’s trying to do the right thing. He doesn’t go into it wanting to fraternize, but his troops are exhausted and he’s told they’ll be home for Christmas. The Scottish, I assume, have no idea why they’re fighting. It’s not their war. Yet there they are. So when he sees these German soldiers singing Christmas carols, and the bagpipe player jumps up on the trench, he has no choice but to say we need to have a truce.
Irvin: I’m Lt. Horstmayer, the German, who has to deal with Sprink (a private who is an opera singer), who’s questioning him all the time and going into no-man’s land, where Horstmayer feels he’ll be killed any moment.
Wilkowske: My character is Ponchel, the aide-de-camp of the French lieutenant. He’s the comic relief. … In an opera that’s about people getting killed all the time, it’s nice to be the guy who gets to have a couple of jokes. He carries an alarm clock to remind him that he used to have coffee every day at that time with his mother.
Irvin: In the Muppet opera version, we decided he’s Fozzie.
Preisser: In the “MASH” version, he’s Radar O’Reilly.

[Read the entire interview at the Cincinnati Enquirer]

Performances are on July 10 and 12 and tickets are available online.

Aaron Sørensen to sing Colline in reopened historic theatre

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Aaron Sørensen from the Barihunks calendar & the Criterion Theatre in Maine
Aaron Sørensen, who was one of this year's recipients of a Barihunks calendar grant, made his West Coast recital debut in a concert with hunkentenor Jonathan Blalock with the grant. Having wowed audiences along the Pacific Ocean with his sonorous low notes, he now returns to the shores of the Atlantic Ocean. He'll be at the Bar Harbor Music Festival performing Colline in a single night performance of Puccini's La boheme. 

The opera will be performed in the historic art-deco Criterion Theater in downtown Bar Harbor. Opened in 1932 as a movie palace, prominent families like the Rockefellers, who vacationed in the area, were frequent patrons. The theatre is listed on the National Registry of Historic Places and recently reopened after a $150,000 upgrade 
to their marquee. 


Aaron Sørensen sings Mozart's "Alcandro, lo confesso" at his West Coast recital debut at Duende (Don't miss the low note at the end!):


Now in its 48th season, the Bar Harbor Music Festival has advanced the careers of over 1,800 aspiring instrumentalists, singers, and composers, presenting a summer of music encompassing recitals, chamber music, Pops, a new composers series, opera, jazz, and string orchestra concerts.

La boheme will be performed on Friday, July 11 at 8:00 p.m.. The cast also includes Jonathan Lasch as Marcello, Chad Sloan as Schaunard, Janinah Burnett as Mimi and Scott Scully as Rodolfo. Tickets are available online.

Barihunks Humm & Estabrooks featured online!

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Äneas Humm
Five days ago, we posted about the 19-year-old Swiss wunderkind Äneas Humm. You can now watch the 21-minute documentary that appeared on Swiss television online. Although the segment is in German, non-German speakers will enjoy clips of him studying with the great soprano Kristina Laki, performing onstage and peaking behind the curtain at his personal life.

We have also just learned that Humm will be replacing a baritone in Bremen tomorrow and performing Wolfgang Rihm's Hölderlin-Gedichte.

Jonathan Estabrooks
Another barihunk will be online tomorrow, when calendar model Jonathan Estabrooks will be taking questions online and showcasing music from his new CD, THESE MILES. The program, "The Story Of Jonathan Estabrooks" will air on Tuesday, July 8th at YTP RADIO. You can purchase his debut album at Amazon.

Reader Submission: Model turned Barihunk Oleg Loza

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Oleg Loza
Our latest Reader Submission is the Moscow bass-barihunk Oleg Loza. We hear numerous barihunks described as having "model looks," but Loza actually was a model at the Slava Zaitsev Model Agency. He modeled while completing his Master's Degree in Voice at the Tchaikovsky Conservatory in Moscow.

Loza reminds many of his fellow compatriot Dmitri Hvorostovsky, who shares his flowing long hair that gives them both a pop star vibe. Like Hvorostovsky, he is a serious classical singer, who originally studied voice and choral conducting before pursuing a career as a singer. In 2009, he won the prestigious Feodor Chaliapin Singing Competition in Yalta.

Oleg Loza sings Valentin's aria from Gounod's Faust:

After graduating from the Conservatory in 2012, he made his professional debut as Norton in Rossini's La cambiale di matrimonio at the Wiener Kammeroper in Austria. He followed that up with a run as Schaunard in Puccini's La boheme at both the Wiener Kammeroper and Amsterdam's Het Companientheater.

Since that time, he's been a young artist with the Zürich Opera, where he has performed Usciere in Verdi's Rigoletto and Deputato in Verdi's Don Carlo. He is currently singing Happy in Puccini's La fanciulla del West, which runs through July 13th and will run again September 24-October 10.

Our best material comes from our readers, so send your submissions to Barihunks@gmail.com

Reader Submission: Edward Laurenson from New Zealand

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Edward Laurenson
25-year-old New Zealand native Edward Laurenson is our latest reader submission. He graduated from the University of Auckland in 2010 with a Bachelor of Commerce, and completed his Honours in 2011. The lyric baritone was influenced to become a singer listening to Freddie Mercury of Queen.

In 2012-13, he was selected to be an Emerging Artist with The Dame Malvina Major Foundation, and subsequently performed in the New Zealand Opera production of Puccini's Madame Butterfly. He has also been a regular performer with the Chapman Tripp Opera Chorus, where he performed major roles.

Before pursing a career in opera full-time, he performed in a number of musicals, including Rodgers & Hammerstein's The Sound of Music, he Tin Man in The Wiz, Tony in Bernstein's West Side Story and Danny in Grease.

Edward Laurenson talks about his career:

In 2012, he was awarded Vocal National Young Performer of the Year at Performing Arts Competitions Association of New Zealand, and the Lieder prize at the New Zealand Aria competition. He has also won the Guildhall School of Music & Drama Award, as well as the Australian Opera Awards Committee’s Sheila Prior Memorial Prize, Phoebe Patrick Award and the David Harper Award.

 Edward Laurenson sings "Hai già vinta la causa!" from Marriage of Figaro:

He is currently one of six finalists in the 2014 Lexus Song Quest competition, with winners being announced on July 26th. The Lexus Song Quest has launched the careers of some of New Zealand’s most celebrated opera stars including Dames Kiri Te Kanawa, Teddy Tahu Rhodes, Amitai Pati, Malvina Major, Jonathan Lemalu, Madeleine Pierard and Phillip Rhodes.

Baritone Brigade in Baltimore Gondoliers

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Jeffrey Williams(left); Jeffrey Williams, Andrew Pardini and Alexis Tantau(right)
Barihunk Jeffrey Williams, who we introduced to readers in December 2012, will be singing the role of Don Alhambra in the Young Victorian Theatre Company's production of Gilbert & Sullivan's The Gondoliers. He's joined in the cast by a number of luscious low voices, including Spencer Adamson as Antonio [see photo below], Andrew Adelsberger as Duke of Plaza Toro, Timothy Kjer as Giorgio and Andrew Pardini as Giuseppe Palmieri.

Performances are on Saturday, July 12, Sunday, July 13, Saturday, July 19 and Sunday, July 20 at the  Sinex Theater in Baltimore. Tickets and additional cast information are available online.

Spencer Adamson and the cast of Gondoliers
The Gondoliers, or, The King of Barataria, was the twelfth opera written together by Gilbert and Sullivan. Opening on December 7, 1889 at the Savoy Theatre, The Gondoliers ran for 554 performances, and was the last of the Gilbert and Sullivan operas that would achieve wide popularity.

The story of the opera concerns the young bride of the heir to the throne of Barataria who arrives in Venice to join her husband. It turns out, however, that he cannot be identified, since he was entrusted to the care of a drunken gondolier who mixed up the prince with his own son. To complicate matters, the King of Barataria has just been killed. The two young gondoliers must now jointly rule the kingdom until the nurse of the prince can be brought in to determine which of them is the rightful king. Moreover, when the young queen arrives to claim her husband, she finds that the two gondoliers have both recently married local girls. A last complicating factor is that she, herself, is in love with another man.

Zachary Gordin back in San Francisco for song recital

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Fresh from his return appearance at the Olympic Music Festival, the ever popular Zachary Gordin returns to San Francisco for a song recital with accompanist Bryan Nies. The two will perform as part of the Old First Concerts series in the City by the Bay on Friday, August 15th.

The duo will perform songs of Reynaldo Hahn’s Chansons Grises, as well as his À Chloris, Dans la nuit, Trois jours de vendage, Néère, and more.  They will then switch to British composer Ralph Vaughan Williams’ song cycle The House of Life.

Tickets are available online.

Daniel Okulitch brings fishy realness to Cincinnati

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We've had a few straight barihunks on this site appearing in drag for the sake of art, including the inimitable duo of Seth Carico and Michael Mayes in Fort Worth, who were promoting a performance of Mark Adamo's Lysistrata.

Now comes barihunk Daniel Okulitch, who is appearing as Jove in Francesco Cavalli's La Calisto at the Cincinnati Opera. Amazingly, this is the company's first foray in baroque opera in it's 94-year history.

ove hatches a plan to wend his way into her heart (and her bed) by donning a Diana-like disguise. - See more at: http://www.cincinnatiopera.org/performances/la-calisto/#sthash.eCW96qWz.dpuf
Okulitch's drag get up isn't part of some German regie concept that was imported to Cincinnati, but an actual part of the plot. Jove, the ruler of the gods, hatches a plan to wend his way into the heart and bedroom of Calisto by donning a Diana-like disguise. But when Jove’s wife Juno, sung by Alexandra Deshorties, catches wind of the scheme, her fury knows no bounds.

The cast also includes barihunk Andrew Garland as Mercurio [pictures coming!].

There will be five performances between July 17-27 at the Corbett Theater. Tickets are available online.
Alexandra Deshorties
ove hatches a plan to wend his way into her heart (and her bed) by donning a Diana-like disguise. - See more at: http://www.cincinnatiopera.org/performances/la-calisto/#sthash.eCW96qWz.dpufove hatches a plan to wend his way into her heart (and her bed) by donning a Diana-like disguiseJove hatches a plan to wend his way into her heart (and her bed) by donning a Diana-like disguise
ove hatches a plan to wend his way into her heart (and her bed) by donning a Diana-like disguise. - See more at: http://www.cincinnatiopera.org/performances/la-calisto/#sthash.eCW96qWz.dpuf

Ryan McKinny returns to Glimmerglass as Billy Bigelow

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(Photo: Karli Cadel/The Glimmerglass Festival)
Über-barihunk Ryan McKinny, whose photos from the Glimmerglass Festival's production of Wagner's The Flying Dutchmanlast summer instantly went viral, is now appearing as Billy Bigelow in their new production of Rodgers and Hammerstein’s Carousel. The production opened last night andruns through August 22nd. 

Performances on August 12 and 19 will feature the young barihunk Chris Carr as Billy Bigelow. The production also features Glimmerglass Young Artist Ben Edquist as Jigger Craigin. Edquist, who took first place in the Lotte Lenya Competition, is completing his Masters in Music at Rice University.

Ben Edquist
 
Ben Edquist as Jigger Craigin (Photos: Karli Cadel/The Glimmerglass Festival)

Carousel is one of Rodgers and Hammerstein’s most famous musicals, and was reportedly the composer’s favourite score. The show was turned into an MGM film in 1956 which starred Gordon McRae and Shirley Jones. The original 1945 Broadway production featured the legendary John Raitt as Billy Bigelow.Carouseltellsthe story of a carousel barker’s struggles to rise above challenging circumstances. The musical includes such favorites as “If I Loved You,” “June Is Bustin’ Out All Over” and “You’ll Never Walk Alone.”

Ryan McKinny as Billy Bigelow and Andrea Carroll as Julie Jordan (Photo: Karli Cadel/The Glimmerglass Festival)
Carousel will run in repertory with Puccini’s Madame Butterfly, Strauss’ Ariadne in Naxosand Tobias Picker’s An American Tragedy.
Formore information on the 2014 Glimmerglass Festival and performance dates and times, call the Box Office at (607) 547-2255 or visit their website.
 

Morgan Pearse in recital at Wigmore Hall

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Morgan Pearse
Australian barihunk Morgan Pearse will be performing at Wigmore Hall tonight with accompanist James Baillieu, as well as the Françoise-Green Piano Duo. Pearse and the Françoise-Green Piano Duo are 2013 winners of the Royal Over-Seas League Annual Music Competition for singer and ensemble respectively.

Pearse will be performing Schumann's Liederkreis Op. 39 and Vaughan Williams Songs of Travel. Other music on the program includes the Schumann/Debussy Six studies in canon form Op. 56, Bach/Kurtág Chorales and a selection from György Kurtág's Játékok.

Pearse joins a long list of notable winners of the Royal Over-Seas League Annual Music Competition, including Keith Lewis, Jean Rigby, Susan Bullock, Elizabeth Watts, Cheryl Barker, Gillian Keith and Lucy Crowe. Tickets for the July 14th concert are available online.

Last year, Morgan performed the title role in Britten's Owen Wingrave for Sydney Chamber Opera, and as bass soloist in Handel's Messiah for Sydney Philharmonia Choirs. Pearse is headed to the United States to continue his studies at the Houston Grand Opera’s Opera Studio, where he is slated to sing Guglielmo in Mozart's Cosi fan tutte, Papageno in Mozart's Magic Flute, Yamadori  in Puccini's Madama Butterfly and Anthony in Sondheim's Sweeney Todd. 

Matt Worth sings Bernstein in a castle

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Matt Worth and the Castello di Amorosa
Barihunk Matt Worth will be singing Sam in Leonard Bernstein's Trouble in Tahiti with the Festival del Sole in California's Napa Valley on Thursday, July 17th.

This is the Festival's first full-length production of an opera and it will be performed at the majestic Castello di Amorosa, an authentically-styled 13th century Tuscan castle and winery. The castle sits on over thirty acres of estate vineyards and was built over the course of fourteen years by Dario Sattui, a fourth-generation winemaker.  The 121,000 sq ft castle boasts 8 levels, 5 towers, and 107 rooms, 95 of which are used for making or storing wine.

Samuel de Beck Spitzer sings "There are laws about men" from Trouble in Tahiti:

Leonard Bernstein was on his honeymoon in 1951 when he began composing his one-act opera, Trouble in Tahiti, a candid portrait of the troubled marriage of a young suburban couple. Written between his biggest Broadway successes— On the Town in 1944 and Candide and West Side Story in 1956 and 1957, respectively— Trouble in Tahiti draws upon popular songs styles to deliver an uncompromising critique of post-war American materialism. Beneath the couple's marital discord is a profound longing for love and intimacy. Their spiritual emptiness, in contrast to a veneer of happy consumerism, creates the heart of the drama and is emphasized by sudden stylistic shifts in the music.

The opera focuses in on the domestic conflict of Sam and Dinah, a young couple who, in contrast to the perfect picture of suburban life painted by the Trio, are desperately unhappy. Starting with an argument over breakfast, the piece explores a day in their life—Sam's as a successful businessman, and Dinah's as a frustrated housewife.

Bernstein dedicated the piece to his close friend Marc Blitzstein, who had led him toward music theater. Tickets for Trouble in Tahiti are available online.

Steven LaBrie in Rossini's Le Comte Ory

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Taylor Stayton (left) and Steven LaBrie (right)
There are still two opportunities to see one of the comic masterpieces of the operatic canon, Rossini's Le Comte Ory, which is playing tonight and on July 18th at the Des Moines Metro Opera.

Barihunk and MAC model Steven LaBrie as Raimbaud heads a brilliantly talented cast that includes tenor Taylor Stayton as Le Comte Ory, Sydney Mancasola as Comtesse Adèle, Wayne Tigges as the tutor and Margaret Lattimore as Ragonde. Tickets are available online.

"Sister" Steven LaBrie in Le Comte Ory
The opera was first performed on August 20, 1828 at the Salle Le Peletier by the Paris Opera. It's American premiere was on December 16, 1830 at the Théâtre d'Orléans in New Orleans. Often described as either a comedy or a farce, it is rapidly gaining in popularity throughout the world and is now considered one of the finest comedies in the repertory.

The story centers around Count Ory, who is determined to win the countess Adèle. He will do anything to get access to the castle where the women are, including disguising himself and his men as nuns.

The Metropolitan Opera had a huge hit with the opera in 2011 with a cast that included Juan Diego Flórez, Diana Damrau, Joyce DiDonato and barihunk Stéphane Degout. The performance has been released on DVD. 

Barihunks Garland and Okulitch in La Calisto profile

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Andrew Garland in la Calisto - (Photo:Philip Groshong - Cincinnati Opera)
It's seldom that you see two baritones featured in an article about opera, but that just happened with Andrew Garland and Daniel Okulitch. The two are appearing together in the Cincinnati Opera's first baroque opera production, Francesco Cavalli’s La Calisto. Two alums of the University of Cincinnati College-Conservatory of Music (CCM), were profiled in Citybeat Cincinnati. 

Read the entire article HERE.

Curtis Sullivan and baritone trio Bravura

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Curtis Sullivan
We've been following Canadian barihunk Curtis Sullivan for some time, particularly in his sexy portrayals with Opera Atelier.

He's also part of a baritone trio comprised of Canadian singers called Bravura, which has been performing since January, 2010. The group is comprised of comprised of George Masswohl, James Levesque and Sullivan, who have varied experience in musical theatre, jazz, and opera. The trios repertoire ranges from classic Broadway and pop, to Italian folk and classical music.

They now have a Facebook fan page where you can keep up to date on their activities. 

Also, we should mention that there is big news from Opera Atelier, who are suddenly becoming a worldwide phenomenon,  with three trips to Versailles three times, as well as performances in Salzburg and Milan. We've learned that the San Francisco Opera is now in discussions with the innovative Canadian company to perform with them. We will have more details when they become available.
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