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Kelly Markgraf and San Francisco Symphony nominated for GRAMMY

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Kelly Markgraf
The 15-time GRAMMY Award–winning San Francisco Symphony has been nominated for yet another award for their recording of Leonard Bernstein’s West Side Story under the baton of Michael Tilson Thomas. The recording features barihunk Kelly Markgraf as Bernardo, Cheyenne Jackson as Tony and Alexandra Silber as Maria and was nominated for Best Musical Theater Album.

This is the first-ever complete concert performance of the entire score from Leonard Bernstein’s West Side Story.

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Aachen to revive Wuorinen's Brokeback Mountain

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Christian Tschelebiew and Mark Omvlee
Charles Wuorinen's operatic adaptation of Brokeback Mountain, based on the 1997 Annie Proulx's story of a cowboy love affair that became an Oscar-winning film is set for a revival on December 7th at Theater Aachen in Germany. German bass-barihunk Christian Tschelebiew will play the role of Ennis Del Mar, which was portrayed by Heath Ledger in the 2005 movie adaptation and Dutch tenor Mark Omvlee will will play the Jake Gyllenhaal role of Jack Twist. In the smaller role of Bill Jones is Stefan Hagendorn, who we've featured on this site twice before.

Brokeback Mountain was originally commissioned for a 2013 premiere by Gerard Mortier while he was at the embattled New York City Opera. When he became the head of the Teatro Real, Mortier decided to revive the work and present it there in 2014. Annie Proulx wrote the libretto.

Christian Tschelebiew and Mark Omvlee
Christian Tschelebiew trained at Staatliche Hochschule fur Musik Stuttgart. He has been a resident artist in Mainz, Augsburg, Erfurt und Gießen and at the Komishce Oper Berlin. He has also been a regular at the Bayreuth Festival where he has performed in Parsifal and Lohengrin.

In the world premiere, Ennis Del Mar was performed by Daniel Okulitch and Jack Twist by Tom Randle.

Performances in Aachen will run through January 22 and tickets and additional cast information are available online


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When Adonis Calls chosen for Frontiers; Featured two baritone leads

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Promo for When Adonis Calls
It's not often that we can feature an opera that has an all-barihunk cast, but that seems to the case with When Adonis Calls. Written by composer Clint Borzoni and librettist John de los Santos, the opera chronicles the tumultuous correspondence between an established writer and an eager young admirer. The piece is scored for two baritones, string quartet, percussionist, and two dancers.

The opera was recently selected for Fort Worth Opera's third annual Frontiers workshop, which features eight works in development by emerging composers and librettists. Borzoni is no stranger to writing for low voices. In 2010, he was commissioned to write a song cycle for bass-baritone Tim Hill and several songs for bass-barihunk Randal Turner. Turner’s songs appear on his CD, “Living American Composers” and were performed at the 9/11 tribute at the U.S. embassy in Sweden. He also recently completed a two act opera titled “Antinous and Hadrian,” which features a baritone lead.

John de los Santos, the librettist, is actually one of opera's hottest and most talented young directors and choreographers. In 2011, we named him the "Best Director" in our "Best of the Year" feature for his brilliant work on Gilbert & Sullivan's The Mikado. He subsequently has been featured on the site for his work directing Piazzolla's tango opera Maria de Buenos Aires in Lexington with barihunk Luis Alejandro Orozco and Ricky Ian Gordon's Green Sneakers in both San Francisco and San Antonio with barihunk Jesse Blumberg, and Bizet's Pearl Fishers in Fort Worth with barihunk Lee Poulis.
John de los Santos(left)and Jesse Blumberg in Green Sneakers (right)
De los Santos constructed his innovative libretto from the poems of Gavin Geoffrey Dillard, who has written texts for Peter Allen, Chanticleer, Sam Harris, Jake Heggie, Glen Roven, Ralph Edwards and Disney Studios. His classical art songs ("Of Gods and Cats") were featured at Lincoln Center by mezzo-soprano Jennifer Larmore. His infamous Hollywood tell-all book, IN THE FLESH: Undressing for Success, chronicles his life as a gay porn star, high-paid male escort, his exciting long-term-relationship, and eventually his search for self through poetry and Asian religion.

When Adonis Calls will be featured at Frontiers during the Fort Worth Opera Festival on May 7 & 8, 2015. Post-performance discussions and open rehearsals will be part of the showcase. Frontiers began during the 2012- 2013 season as an opportunity for composers and librettists to showcase up to twenty minutes of their new works in front of artistic directors of opera companies, artist managers, classical music publishers, funding organizations, and conductors.

The singers have not been selected for the work, but we'll be sure that our readers are the first to know. We'll also be in attendance for the workshop in Fort Worth. as well as their performances of Verdi's La traviata, David T. Little's Dog Days and Thomas'Hamlet, featuring barihunk Wes Mason in his first performance of the title role. Visit their website for tickets and additional information.


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Reader submission: Maciej Idziorek

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Miljenko Turk as Don Giovanni and Maciej Idziorek as Leporello(photo Dorit Gätjen)
A reader in Germany alerted us to MaciejIdziorek, a Polish born barihunk singing Leporello in the current run of Mozart's Don Giovanni at the Volkstheater Rostock.

He started his career singing with the Children's Opera at the ViennaState Opera after moving to the Austrian capital as a child. He went on to complete his studies at the Vienna Conservatory. After graduation he sang at the Theater an der Wien, where he performed in Monteverdi's L'Orfeo, Offenbach's Les Contesd'Hoffmann, Puccini's Gianni Schicchi andI, Schickaneder. In 2012, he sang the title role in DirkD'Ase's tangoopera Azrael.

SinceAugust 2014,hehas been been a member of the ensemble at the Volkstheater Rostock.

Performances of Don Giovanni run from December 27 through January 21. Tickets are available online. Upcoming roles for him include Sparbüchsenbill in Aufstieg und Fall der Stadt Mahagonny (The Rise & Fall of the City of Mahagonny) by Kurt Weill and Silvano in Verdi's Un ballo in maschera.



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Zachary Gordin makes SF Symphony debut with Soundbox

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Zachary Gordin: Mr January in the 2015 Barihunk Calendar
Barihunks calendar model Zachary Gordin is making his San Francisco Symphony debut with SoundBox, the orchestra’s new experimental performance venue and late-night live music series taking place backstage at Davies Symphony Hall on Saturday, December 13. The program,  spans over ten centuries of music from around the world, will be led by Music Director Michael Tilson Thomas. SoundBox is a new initiative aimed at attracting culturally-adventurous listeners to evenings of eclectic musical exploration and discovery, all in a nightclub-like setting.

"I’m thrilled to be one of the guest soloists for the inaugural performance of Soundbox. It’s an exciting new venture, bringing world class musicians from the San Francisco Symphony and Symphony Chorus together in an unconventional performance space, while creating a totally immersive experience for the senses," Gordin told Barihunks. "The acoustical environment will be altered for each piece of music by the wizards at Meyer Sound Laboratories, so the audience will be able to hear each piece in the acoustical environment it was meant for. There will be changing lights and projected art on huge screen panels, as well as an interesting menu of bites and cocktails, in a rehearsal hall that’s been transformed into a swanky night club. I’m most excited that this is my first time singing with Michael Tilson Thomas, and working with SF Symphony. He’s such a generous and collaborative Maestro, and an immensely gifted artist. I’m honored to be part of this project, and have loved watching it take shape."

Zachary Gordin (left) and Christiaan Smith-Kotlarek and Ramon Balderas
At the December 13 opening, Tilson Thomas will take listeners through a “musical tasting menu” that showcases the venue’s sound system which can alter the space’s acoustics to mimic a variety of different environments. Visual components of this opening show include Steina’s 1986 video Voice Windows, featuring the voice of Joan La Barbara. Voice Windows is co-presented at SoundBox by the SF Symphony and SFMOMA. Prior to the show’s start, guests will experience a soundscape installation derived from John Cage’s Branches (music for amplified plants), accompanied by plant-based imagery from video designer Adam Larsen.

The program includes “Stella splendens in monte” from the Llibre Vermell de Montserrat by Anonymous(arranged by Mason Bates), Plainchant and Kyrie from Missa Pange lingua by Josquin des Prez, Te Deum from Play of Daniel by Anonymous, Panda Chant II by Meredith Monk, Music for Pieces of Wood by Steve Reich, Introduction and Allegro by Maurice Ravel, Voice Windows, Integrales by Varèse and Magnificat from Vespro della Beata Vergine by Monteverdi.

The concert is SOLD OUT. Click HERE for information and tickets on upcoming Soundbox events.

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We're giving away $500 and need your input

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We've been giving away cash for the best pictures submitted to our 2015 Barihunks Charity calendar. In the past, we've given the money raised from the calendar to organizations or projects, but this year we thought we'd give it to the guys who make the calendar possible...the barihunks.

We want you to tell us which photos you like the best. Look at the submissions and tell us why your favorite barihunk photo should win. Keep in mind that the theme was Viva, Italia! You can comment on Facebook, leave comments on Barihunks, via Twitter or email your comments to Barihunks@gmail.com.

Our expert panel will then pick the winning photo and award the $500. 







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Cameron McPhail in innovative retelling of Don Giovanni

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Cameron McPhail in #UncleJohn
 Last month, we featured Canadian barihunk Cameron McPhail in some beefy pictures from Britten's The Rape of Lucretia.

Tonight he opens in #UncleJohn (yes, that's the title), a modern interpretation of Mozart's Don Giovanni with a new English libretto by Against the Grain Theatre artistic director Joel Ivany.  In this version, the opera is set at Zerlina and Masetto's wedding reception with the audience as the guests. The singers arrive at the wedding reception dressed like the audience. They also utilize the same bar as the audience with Uncle John (Don Giovanni) partaking in his fair share of booze.

Cameron McPhail in The Rape of Lucretia
Ivany wrote the libretto in English to ensure that people could get a full understanding of the rich text. The opera is set in Banff, a city well-known as a wedding destination in Canada. Uncle John is billed as suave and sexy, brimming with over-confidence and addiction, not just to women, but to his illusory sense of connectedness to social media.

#UncleJohn is playing at the The Black Box Theatre in Toronto. It runs from December 11-19 and tickets are available online.

You can follow the show on Twitter at #UncleJohn and Cameron McPhail at @Cameron_McPhail.


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Nicholas Pallesen to make NY recital debut

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Nicholas Pallesen, winner of the 2013 George London Award, will be making his New York recital debut on Sunday, January 11, 2015 at the Morgan Library & Museum. He'll share the stage with soprano Angela Meade, who won the award in 2008.

Joined by accompanist Craig Rutenberg, Pallesen will perform Poulenc's Chansons villageoises, "Ha, welche Lust aus schönen Augen" from Marschner's Der Vampyr, and songs by Charles Ives. Pallesen performed the entire Der Vampyr with the Der Vampyr with the New Orleans Opera in 2013. He will join Meade for the duet "Tu pur lo sai" from Verdi's early opera I Due Foscari.

The George London Foundation Recital Series, which is in its 19th year, presents pairs of outstanding opera singers, many of whom were winners of a George London prize.

This year's competition will be held on Friday, February 27, 2015, at 4:00 PM. Last year's winners included three singers familiar to our readers, Norman Garrett, Cameron McPhail and Ryan Speedo Green.


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Reader submission: Simon Schnorr in sexy operetta

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Simon Schnorr in Don Giovanni
A reader in Germany alerted us to a very sexy production of Benatzky's Im Weissen Rössl at the Salzburger Landestheater. They described the production as filled with "Verlockende Männer" (seductive men) and a "sexyBariton" named Simon Schnorr, who was playing Dr. Otto Siedler.

Well, that caught our attention. 

The Tyrolean set operetta isn't normally known for being particularly sexy, although it may appeal to a few lederhosen fetishists. However, this production serves up a good number of men wearing only white lederhosen, scenes with men in one-piece swimwear, shirtless dancers and a scene involving some dropped trousers. Sometimes German regie theatre has its benefits.

Two scenes from Benatzky's Im Weissen Rössl
Munich native Simon Schnorr was a member of the famed Tölzer Knabenchor in his youth, allowing him to perform as a chorister and alto soloist in many of the major European opera houses and concert halls. He pursued his vocal training with scholarships from the MIGROS-Kulturstiftung in Zürich and from the Richard Wagner Association in Karlsruhe. He went on to win the International Schubert Song Competition in Osaka, the Franz-Völker prize in Neu-Isenburg and the Gustav-Scheck price in Freiburg.

In 2008, Schnorr made his debut at the Staatstheater Karlsruhe playing the role of Morales in Bizet's Carmen and subsequently became a full time member of their Opera Studio. During that time he performed Ping in Puccini's Turandot, Donner in Wagner's Rheingold, the Sergeant in Puccini's Manon Lescaut, Dumas in Giordano's Andrea Chenier and Viconte Valvert in Alfano's Cyrano de Bergerac. To great acclaim, he took over the role the Traveler in Benjamin Britten's Death in Venice on short notice.

Since the 2009-2010 season Simon Schnorr has been a permanent member of the Salzburger Landestheater where he debuted as Count Almaviva in Mozart's Le nozze di Figaro. Other roles with the company include DonGiovanni,Count Almaviva,Guglielmo,Eisenstein,Dandini, Belcore, Eugene Oneginand rolesinGluck's La Rencontreimprevue andKrenek'sJonnyspielt auf.

Two scenes from Benatzky's Im Weissen Rössl
In 2012,he performedGiacomoIIalongside the famed actorJohnMalkovichin themusictheater project "The GiacomoVariations"andtoured Canada with the show in 2013. The piece is based on the memoirs of Giacomo Casanova and features arias from Mozart's operas. He was also hailed by the press for his interpretation of the baritone part in Frank Martin's In terra pax at the Europäischen Kulturtagen (European Culture Days).

Performances of Benatzky's Im Weissen Rössl run through April 9 and tickets are available online. Schnorr will also appear with tenor Franz Supper at the Salzburger Landestheatre's New Year's Eve concert where they'll perform music by Johann Strauss and Wolfgang Amadeus Mozart.


If you can't make it to Austria, you can watch him on the Salzburg Festival's DVD of AlbanBerg's Lulu


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Reader Submission: Anas Séguin

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Anas Séguin
We have another reader submission today, which come from a reader in France. They are attending Rachmaninov's Aleko at the Opéra-Théâtre de Clermont-Ferrand and noticed that the title role was being sung by Anas Séguin. They emailed us and asked if he'd ever appeared on our site, which he has not.

Anas Séguin sings Largo al factotum from the Barber of Seville:

The Moroccan barihunk began his musical studies playing the piano and the trumpet, before embarking on 10 years of vocal training at the Paris Conservatoire à Rayonnement Régional. He's been a frequent prize winner in major vocal competitions, including second prize in the opera category in Arles and first prize for Mélodie at the International Competition of Lyric Singing in Marmande.

He recently performed Papageno in Mozart's Die Zauberflöte in Marmande, a role that he'll reprise in Mérignac in March 2015. Aleko will be performed on December 18th at the Opéra-Théâtre de Clermont-Ferrand. Additional information is available online. The opera, which is based on The Gypsies by Alexander Pushkin, includes the baritone aria "Ves' tabor spit," which is frequently performed by baritones in vocal competitions.

Doug Carpenter wins $500 for best photo; Additional prizes announced for runner-ups

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Doug Carpenter and his winning photos for the 2015 Barihunks Charity Calendar
Our Barihunks Calendar photo contest culminates with our Grand Prize of $500 of going to Doug Carpenter for his wine and pasta themed shirtless photos taken by Josh Drake. We asked readers to submit comments and asked our panel of five judges located on three continents to weight in, as well. At the end of the day, the voting wasn't even close as Doug Carpenter's pictures emerged as the clear favorite.

We also loved his tweet [shown above] encouraging people to vote for him with a sexy teaser. The day he posted it our calendar sales skyrocketed, which is how we raise money for young singers. So, he seems doubly deserving of the prize money.

Doug Carpenter is currently playing Billy Kostecki on the North American tour of Dirty Dancing. Click HERE to see when the show is coming to a city near you and buy tickets!

(Jacques) L'Oiseleur des Longchamps(left)and Michael Scarcelle(right)
One of our judges was so conflicted about the #2 and #3 ranked photos not winning, that she offered up $250 for each of the runner up barihunks. So Michael Scarcelle, who had the second most comments and votes, and (Jacques) L'Oiseleur des Longchamps, who had the third most comments and votes, will each be receiving $250.

We'd also like to remind readers that Kasey Yeargain and Ernesto Petti each won $100 for having the Sexiest Photo, as determined by our readers. Also, Richard Alexandre Rittelmann won $250 for the best Italian Themed Photo, also determined by our voters.

We'd like to thank all of the barihunks who participated - YOU'RE ALL SEXY AND TALENTED!!!
Kudos to Zachary Gordin, Pietro di Bianco, Michael Hewitt, Craig Verm, Xavier Rivera, David Adam Moore, Ramon Balderas, Donovan Singletary, Vittorio Prato, Christopher Temporelli, Keith Miller and Christiaan Smith-Kotlarek. Their participation in our calendar allows us to raise money to support opera and young artists in particular.

We'd like to remind everyone that the goal of this website is primarily twofold: 1) Get people interested in opera, and 2) Assist young artists in their careers. Every penny that we raise from our calendars or tee shirts goes directly to artists and artist projects. We'd like to thank our readers for your continued support in making Barihunks a success.

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Low voices dominate Icelandic opera Ragnheiður

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AugustÓlafsson
If you love low voices as much as the Barihunks team, you may went to head north to the Icelandic Opera for Gunnar Þórðarson's Ragnheiður, which includes two basses and two baritones.

The opera is based on true historical events that took place in Iceland in the mid 17th century. The title role, Ragnheiður, is the 18-year-old daughter of the Bishop of Skálholt, the most powerful man of the church in the country. She and her young teacher, Daði, fell in love, but had to conceal their affections since the bishop had other plans for his daughter's future. In 1661 the bishop demanded that his daughter, Ragnheiður, would take an oath in front of the whole congregation to swear her virginity. Nine months later she gave birth to a child. For centuries people have discussed if she took a false oath or not.

The case includes barihunk AugustÓlafsson in the role of Reverend Torfi Jónsson, who explains to the title character that the consequences of perjury will be the eternal flames of hell. He studiedmusicat the Sibelius Academywiththe great baritone JormaHynninen. He made his debut with the Icelandic Opera in the title role of Sondheim'sSweeneyTodd, and has subsequently performed Papagenoin Mozart's The Magic Flute,MarcelloinPuccini's LaBohème,Nick ShadowinStravinsky's TheRake's Progress,HarlekininRichard Strauss'AriadneonNaxos,BaronDouphol inVerdi's Latraviata,andMarulloinVerdi's Rigoletto.

Hehas
been nominated three times for theIcelandicMusic Awardsandreceived the2011Icelandic MusicPerformer of the Year.

Performances of Ragnheiður are on December 27th and 28th. Tickets are available online.


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Jaroslaw Kitala to tour children's opera in France

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We first introduced readers to Polish barihunk Jaroslaw Kitala back in 2008 when he won second prize in the 14th Ada Sari International Vocal Art Festival in Nowy Sącz, Poland. The other two prize winners were also Polish baritones, so we dubbed the post the "Hot Pole Competition." We had somehow lost track of Kitala until now (except for a brief appearance in a toga for Purcell's Dido and Aeneas).

In 2014, he joined the Opera Studio at the Opera National du Rhin, where he's scheduled to sing Le Bûcheron in Respighi's The Sleeping Beauty (LaBelle au bois dormant) opening on December 19 and running through January 9th. It then travels to the Athénée Théâtre Louis-Jouvet in Paris for a run from January 17-22, and then to Mulhouse for performances on January 31 and February 1.


Along with his ballet La boutique fantasque, Respighi's children's opera LaBelle au bois dormant was one the most performed works by the composer in his lifetime. The opera premiered on April 13, 1922 at the Teatro Odescalchi in Rome.

Kitala studied at the ChorzowMusic Academy and theKatowiceMusic Academy, graduating in 2008. He won the1st prize at the Imrich Godin International Vocal Competition Iuventus Canti in Slovakia. He has appeared at severalmusic festivalsin Poland andthroughout Europe and has recordedwith theChamber Orchestra ofTarnów.

In 2010he participated in there-creationof 18th century composer JosephZeidler'sLauretanaeLitaniae. Upcoming roles at the Opera National du Rhin include Count Robinson in Cimarosa's Il MatrimonioSegretoand Un vieux paysan in Dukas'Arianeet Barbe-Bleue.


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Björn Bürger to sing title role in Owen Wingrave

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Björn Bürger
German barihunk Björn Bürger, who we introduced to readers in August when he was competing in the Mirjam Helin Competition, will be singing the title role in Britten's Owen Wingrave at the Frankfurt Opera from January 10-30. The role was previously sung at the opera by fellow barihunk Michael Nagy. He's currently wrapping up two more performances as Harlequin in Strauss'Ariadne auf Naxos with the company.

Bürger has been a member of the Frankfurt Opera Ensemble since 2013, where he's also sung Bengtson in Reimann's Die Gespenstersonate, Astolfo in Vivaldi's Orlando Furioso, Papageno in Mozart's Die Zauberflöte and Masetto in Mozart's Don Giovanni. He'll be adding Marcello in Puccini's La boheme to the list in February. In 2015, he will debut as Don Giovanni at the Norwegian Opera in Oslo.

Michael Nagy as Owen Wingrave in Frankfurt
In 2012, Bürger took First Prize at the Bundeswettbewerb Gesang 2012 (National Singing Competition) in Berlin and a year later the top prizes at the 'Emmerich-Smola Competition' and the Anneliese-Rothenberger Competition.

Owen Wingrave, which premiered in 1970, tells the story of a committed pacifist born into a renowned military family.  Despite strong disapproval over his beliefs and desperate to maintain the love of his would-be bride, Owen Wingrave is determined to prove his inner strength – even if it leads to his own demise.

Britten was a deeply committed pacifist, which traces back to his early life, particularly during his years at Gresham’s, his public school in Holt, Norfolk. He was know as a sensitive young boy who abhorred violence and bullying. World War I had cast a huge shadow over Britten’s generation and it was felt nowhere more keenly than at Gresham’s.  Britten was born a year before the onset of WWI  where the U.K. and its colonies saw 887,711 killed in action between 1914 and 1918. 100 boys from Gresham’s alone lost their lives.  His school formed one of the first branches of the League of Nations Union, which was designed to foster peace and prevent future conflict. The school also banned corporal punishment.

Britten's most famous pacifist composition is his War Requiem.


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Childhood internet sensation now a barihunk

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Régis Mengus as a baritone and boy soprano
32-year-old Régis Mengus was a childhood internet sensation long before he became known in the world opera. A few years ago, a video of him with fellow boy soprano Hyacinthe de Moulins singing Rossini's Cat Duet began appearing on blogs and websites drawing millions of views. The performance was with the famed boys choir Les Petits Chanteurs à la Croix de Bois, who were presenting a concert in Seoul, Korea in 1996.  

Mengus, who came from a blue collar family with little exposure to the arts, was drawn to music as a young boy. He started piano lesson at the age of six, but joined the choir two years later after realizing that singing was his true passion. Shortly after joining the group, he rose to the coveted role of soloist with the boys choir (and the video shows why). 


Later, he joined the Conservatoire à rayonnement régional de Metz Métropole Gabriel-Pierné in Metz, France. After being granted First Prize by the jury, he made his stage debut at the Opéra de Metz at the age of nineteen. He subsequently performed Malatesta in Donizetti's Don Pasquale and Figaro in Mozart's The Marriage of Figaro.

In 2008, he made debut outside of France at the National Opera of Athens is Christian in Cyrano et Roxane, before returning to Metz to sing Thomas' Hamlet. 

Régis Mengus as Danilo in The Merry Widow in Lausanne
Other performances throughout France have included  Pas sur la bouche (Not on the Lips) at the Opéra de Tours, Moralès in Carmen at the Opera Caen, Yamadori in Madama Butterfly at Opera of St Etienne, Wagner in Faust Opéra de Metz, Danilo in Die lustige Witwe (The Merry Widow) at the Théâtre de Reimsand Robert Perceval in Andre Messager's Passionnement at the Opéra de Tours.

In October 2013, he won both the First Prize for me and the Audience Award at the International Competition of Singing in Vivonne. In March 2014, he won First Prize, the Audience Award, and a Special Award at the International Competition of Bordeaux.

He is currently singing Danilo in The Merry Widow through December 31st at l'Opéra de Lausanne.Tickets and additional cast information are available online.

Doug Carpenter and Richard Alexandre Rittelmann in the Barihunks calendar
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Barihunks "Best of 2014"

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It's time for our annual year-end wrap up with our "Best of 2014" feature where we highlight our favorite posts. Many of these were actually chosen by our readers, as we closely followed how much traffic each of our posts were receiving.
(L-R top row) Björn Bürger, Malte Roesner, Michael Mofidian (L-R, bottom row) Ivan Oreščanin, Mattia Olivieri and Davide Luciano
BEST NEWCOMERS: There were six singers who we introduced to readers this year that generated amazing traffic to our site. In fact, they were so popular that we decided to lead off our annual tribute with them. German Björn Bürger, German-American Malte Roesner, Scotsman Michael Mofidian, Serbian Ivan Oreščanin, and Italians Mattia Olivieri and Davide Luciano. You can click on their names to read the original posts. This is what the future of opera looks like and sounds like, which seems encouraging.

Previously unpublished photos of Italian barihunk Ernesto Petti
Jens Søndergaard and Saïd Pressley
BEST READER SUBMISSION: Our best posts continue to come from our readers and this year was no exception. Few singers generated more interest than Ernesto Petti on both our blog and in our calendar, where he appears as part of our August feature. Since we couldn't run all of his photos in our calendar, we've added some new photos above.

Honorable mention has to go to Jens Søndergaard and Saïd Pressley, both of whom proved immensely popular with our readers.

Bottom Row - Austin Siebert, George Arvidson, Clay Thompson, Nate Mattingly, Mason Jarboe, Michael Miller
Top Row - Keith Browning, Trevor Martin, Michael Hewitt, Damian Faul
 
(L-R) Sarah Larsen, Michael Todd Simpson, Steven LaBrie, Joseph Lattanzi & Colin Ramsey

BEST GROUP PHOTOS: We love it when we see our tee shirts being modeled by the hottest barihunks in opera, so imagine our glee when we were sent a photo featuring TEN stunning men all gathered together at the Seagle Music Colony in upstate New York. Michael Hewitt ended up being featured in our Viva, Italia! Barihunks Calendar, as well. It turns out that the family names on his mother's side are DiPane and Mazzola.

On the other side of the continent at the Seattle Opera, our tee shirts ended up on four of the cast members in their production of Menotti's The Consul. The opera starred four barihunks, including Michael Todd Simpson as John Sorel, Steven LaBrie as the Police Agent, Joseph Lattanzi as Assan and Colin Ramsey as Mr. Kofner. The four singers showed off their Barihunk tee shirts on the set with soprano Sarah Larsen, who played the secretary. Joseph Lattanzi also appeared in our 2012 calendar.

Bevan Bühler
BEST TWITTER DISCOVERY: Canadian barihunk Bevan Bühler posted the following on Twitter: "My life goal is to be listed on barihunks." Of course, we obliged and he instantly became one of our most viewed posts of the year. The former model and emerging singer clearly caught the eye of many of our readers.


HOTTEST PHOTO: As one might imagine, we get sent a lot of photos and press materials from opera companies and publicists. Most of them are pretty useless and clearly were not sent with our mission in mind. So when an email arrived from the Los Angeles Opera touting their upcoming production of Andrè Previn's Streetcar Named Desire, we were pretty sure that it would be filled with glossy pictures of soprano Renee Fleming. Much to our delight, it included these AMAZING photos of Ryan McKinny, whose voice and body just get more amazing with each passing year. He has become the quintessential barihunk in our view.

Agrippina cast (L-R) Hadleigh Adams, Peabody Southwell, Nathan Medley, Jamie-Rose Guarrine, Jennifer Rivera, Zachary Wilder and Douglas Williams
HOTTEST OPERA CAST: Who would've thought that the sexiest cast in opera this year would be found at Opera Omaha for their production of Handel's Agrippina. The opera featured former model and rising superstar Hadleigh Adams as the emperor Claudio. In the role of Pallante, one of two men that Agrippina pledges to marry, was Doug Williams a rising superstar in the baroque music world, who could easily grace the cover of GQ.

Stéphane Degout and Franco Pomponi
HOTTEST NUDE SCENE: For a dramatically sensible use of nudity, nothing could surpass Stéphane Degout and Franco Pomponi alternating the role of Hamlet in director Olivier Py's production of the Ambroise Thomas opera at La Monnaie in Brussels. Degout also performed the role at Theater an der Wien.

Paul Robeson as photographed by Nickolas Murray
HOTTEST HISTORICAL NUDE: We received a lot of appreciative email from readers who didn't know about the legendary Paul Robeson's nude modeling past. Robeson did some nude modeling for photographer Nickolas Murray, who later went to photograph President Eisenhower, painter Freda Kahlo, actresses Colleen Moore and Greta Garbo, and the Lucky Strike girls. Robeson also posed nude for Italian-American sculptor Antonio Salemme. Born in Princeton, New Jersey in 1898, Robeson made his singing recital and his film debut in 1925. His resonant bass was a major highlight in the London production of "Show Boat" particularly with his powerful rendition of "Ol' Man River." Paul Robeson may have been the original barihunk!

(L-R) Doug Carpenter, Michael Scarcelle & (Jacques) L'Oiseleur Longchamps
BEST CALENDAR MODELS: Perhaps the smartest thing that we did this year was to give our Barihunks Charity Calendar money directly to singers who participated, rather than to organizations. The level of appreciation was enormous and we heard about how the funds paid for lessons, coachings, music, rent and travel to competitions.  

Doug Carpenter walked away with our top prize of $500 for submitting the picture that best exemplified this year's theme "Sexy and Italian." One of our judges was so conflicted about having to choose a winner that she offered up an additional $500 to be split between the runner-ups,  Michael Scarcelle & (Jacques) L'Oiseleur Longchamps. Everyone was a winner.


Dan Kempson
BEST GRAMMY AWARD NOMINEE: Barihunk Dan Kempson received a well-deserved GRAMMY Award nomination for his portrayal of the critical role of Orestes on Darius Milhaud's trilogy L'Orestie d'Eschyle on the Naxos label. The performance, which is up for Best Opera Recording, also features Sidney Outlaw as Apollo, as well as the University of Michigan Choirs and Symphony Orchestra, which amounted to some 350 musicians.


Philippe Sly
BEST NEW CD:  The ridiculously talented Philippe Sly released "In Love’s Minstrels" with accompanist Michael McMahon. They perform English music from the late 19th and early 20th century by Healey Willan, John Ireland, Roger Quilter, Ralph Vaughan Williams and Gustav Holst. The CD is available at Amazon, as well as on Spotify.

Pietro di Biano and Matija Meić
BEST COMPETITION WINNERS: 2014 was yet another year where barihunks dominated international singing competitions (so, to all of you naysayers, YES, THEY CAN SING, TOO!). Few performances were more exciting than Barihunks Calendar model Pietro di Bianco winning the prestigious Paris Opera Competition or Matija Meić taking two prizes at the Mirjam Helin Competition, with both becoming overnight sensations.

Cyril Rovery
BEST MEN'S FITNESS MODEL: The European edition of the August 2014edition of Men's Health magazine featured French barihunk Cyril Rovery in a feature called "Baryton Man." Rovery studied at the Marseilles Conservatoire graduating in 2000. In 1999, he won 1st Prize at the Symphonies d’Automne International Competition in Mâcon and in 2002 he won the Siena International Competition for Singers. He's been a regular at Marseille singing Scarpia in Puccini's Tosca, the Duke of Verona in Roméo et Juliette and Monterone in Verdi's Rigoletto.

Edwin Crossley-Mercer poses for Karl Lagerfeld
BEST PROFESSIONAL MODEL SHOOT: When fashion legend Karl Lagerfeld attended a performance of Robert Carsen's production of Rameau’s Platée at the Opéra Comique, he must have been as impressed as us with barihunk Edwin Crossley-Mercer. Crossley-Mercer's Jupiter was styled as a Karl Lagerfeld lookalike with white ponytail and dark glasses and the designer greeted the singer backstage and offered to do a photo shoot of the barihunk, shooting him in a variety of couture.


BEST PHOTO IN DRAG: Barihunk Daniel Okulitch, who has appeared in various states of dress and undress in his career, finally appeared in a dress when he donned this stunning getup as Jove in Francesco Cavalli's La Calisto at the Cincinnati Opera. Okulitch's drag wasn't some German regie concept that was imported to Cincinnati, but an actual part of the plot. Jove, the ruler of the gods, hatches a plan to wend his way into the heart and bedroom of Calisto by donning a Diana-like disguise. But when Jove’s wife Juno, sung by Alexandra Deshorties, catches wind of the scheme, her fury knows no bounds. As many singers know, Cincinnati has one of the best make-up artists on their staff, so Okulitch was in good hands.


BEST MAGAZINE FEATURE: Baritones became the new cover boys this year, as Aubrey Allicock appeared in OUT Magazine, Simon Keenlyside on the cover of Opera News, Ildar Abdrazakov in VANITY FAIR, Morgan Smith in Opera News, and Christiaan Smith-Kotlarek in Bleep magazine. But our favorite feature was the Opera News'Sound Bites article on John Brancy.  The New Jersey native had an exciting year, with major debuts at Oper Frankfurt in Puccini's La Fanciulla del West and the Kennedy Center for a recital dedicated to the 100th anniversary of WWI. This enormously talented and innovative artist is clearly destined for stardom and it was nice to see Opera News take notice.

Emmanuel Franco
BEST SINGER/DANCER: Mexican-American barihunk Emmanuel Franco caught our attention as one of the three baritones competing in the finals of the 50th International Vocal Competition in 's-Hertogenbosch, Holland. The 30-year-old singer has performed throughout Mexico, the United States and Europe, but he also has a true passion for dancing. While a student at the San Francisco Conservatory of Music, he founded a zumba class in a nearby gym. After  graduation, he was certified as zumba instructor before moving to The Netherlands, where he has become a popular instructor (who even sings occasionally during class).

Giorgio Caoduro
BEST ROLE DEBUT:Giorgio Caoduro's role debut as Rigoletto couldn't have come at a better time for Opera Australia. They had just weathered a rough couple of weeks dealing with the Tamar Iveri scandal, a soprano who had referred to gay people as "fecal matter" on her Facebook site. Caoduro's performance at the Joan Sutherland Theatre was a major revelation that allowed people to put the scandal on the back burner. Caoduro had previously performed in the opera as Marullo opposite Placido Domingo's Rigoletto in the movie version. The Opera Australia cast also included two other barihunks, Sam Dundas as Ceprano and Luke Gabbedy as Marullo.

A protester at The Death of Klinghoffer (left) and Aubrey Allicock
BIGGEST SCANDAL: The most talked about action in opera this year happened off the main stage, as John Adams'The Death of Klinghoffer at the Met turned out protesters who claimed the opera was anti-Semitic and glorified terrorism. Making his Met debut in that production was upcoming barihunk Aubrey Allicock as the terrorist Mahmoud. He shares critical moments in the opera with fellow barihunk Paulo Szot, who sang the role of the Captain. Regardless of how you felt about the piece, it was great to see a worldwide discussion about an opera. 

Had it not been for The Death of Klinghoffer, we would have listed the BARITONE BLACKOUT at the OPERALIA competition in Los Angeles as our biggest scandal.Despite 11 of the 40 competitors being baritones in the competition, not a single baritone made it to the final round. Many felt that a top prize winner should have come from the talented field of low voices that included Igor Bakan, Aleksey Bogdanov, Alexandre Duhamel, Dan Kempson, Alexey Lavrov, Alex Lawrence, Shea Owens, Damien Pass, Pavel Shmulevich, Anatoli Sivko and Ivan Thirion.

(L-R) Philippe Sly, Elliot Madore & Gordon Bintner
BEST TENOR BLACKOUT: We couldn't feel too bad about the Barihunk Blackout at Operalia because 1,360 miles north of Los Angeles in Edmonton, Alberta, their Symphony was presenting a "No Tenors Allowed" concert. The program featured Canadian barihunks Gordon Bintner, Elliot Madore, and Philippe Sly, who joined forces with conductor Bill Eddins for a program of from music from Bizet's Carmen, Verdi's Macbeth, Rossini's Barber of Seville, and Wagner's Tannhäuser.

Charles Castronovo (left) and Erwin Schrott (right)
BEST BARIHUNK/HUNKENTENOR BATTLE: We all know that there is tremendous competition between baritones and tenors, but it reached new heights when barihunk Erwin Schrott went after hunkentenor Charles Castronovo's soul. The social media regular wrote on Twitter, "Dear Faust @CharlieTenor, meet me @ Laeiszhalle, Hamburg tonite 7:00 PM. Don't forget: bring soul! Tschüs! Méphy x"

Castronovo was singing Faust opposite Schrott's Méphistophélès in Gounod's opera in Baden-Baden, and the duo were joined by fellow barihunk Jacque Imbrailo, who was Valentin.


BEST PERSONAL STORY: Speaking of souls, it's rare for an artist to bare his or her soul in an interview, but that's just what Hadleigh Adams did in an interview with San Francisco's leading LGBT paper, the Bay Area Reporter. He minced no words in talking about what it was like to be effeminate, not to fit in with the other boys, having a friend commit suicide and facing challenges with family. We also had the privilege of hearing him turn this very personal story into an evening of song, which we think would be a hit on the recital circuit. Adams just wrapped up his second year at the prestigious San Francisco Opera Center Adler Fellows‎ and is surely destined for a great career in opera. It's one thing to grow as an artist, but Hadleigh Adams has shown us how amazing it is to watch someone grow as a human being.

Duncan Rock
BEST ANNOUNCEMENT: In our opera travels, we frequently get asked why certain European singers haven't appeared in the U.S. Topping that list is Duncan Rock (now that Edwin Crossley-Mercer has sung in America). So imagine the excitement surrounding the highly-anticipated U.S. stage debut of British Barihunk sensation Duncan Rock, which will occur not far from another rock, Plymouth Rock. The Boston Lyric Opera has snagged the charismatic fan favorite to portray the title role in Mozart's Don Giovanni next season. Performances will run from May 1-10, 2015. His gender bending performance in Don Giovanni: The Opera at London's famous nightclub Heaven was a huge sensation.

Kelly Markgraf and Sasha Cooke

Dan Kempson
BEST NEW OPERA: The world premiere of Laura Kaminsky's opera "As One," which explores the revelatory and redemptive journey of a transgender individual, opened on September 4th at the Brooklyn Academy of Music with the real-life married couple of mezzo-soprano Sasha Cooke and barihunk Kelly Markgraf. The opera was a critical success and will be reprised at Caine College of the Arts at Utah State University in April 2015 with Markgraf and again at West Edge Opera in July/August 2015 with Dan Kempson. who will be joined by the Friction String Quartet at the Oakland Metro Opera House.

Kaminsky was inspired to write the opera after reading an article in the New York Times in 2008 about a New Jersey marriage in which one of the parties transitioned from male to female, transforming the couple from heterosexual to homosexual.


Finally, we have to close with our favorite email of the year, which came from a reader in Michigan back in May. "Dear Barihunks, I was pleasantly surprised when I came upon your website. It is surprisingly intelligent and well-written. I have learned about singers that were heretofore unknown to me and you have exposed me to much new music. I've also learned about opera competitions and smaller companies that I would not have read about elsewhere. For this I am eternally grateful, but frankly, I'd much prefer more pictures and less text."


Lastly, if you enjoyed Barihunks this year and if you like supporting young artists, please order your Charity Calendar today, so that we can keep up our tradition if assisting the hottest young talent in opera. Our calendar features 19 of the most amazing singers, who also happen to be easy on the eyes. Order NOW by clicking below. Thank you for your support.
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Aaron Sørensen & Kevin Thompson to make role debuts as Osmin

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Kevin Thompson & Aaron Sørensen
Two of our very favorite (really, really) low voices will be making their respective role debuts as Osmin in Mozart's Die Entführung aus dem Serail (The Abduction from the Seraglio)

The coveted Mozart bass role will be sung by Aaron Sørensen with the Houston Symphony Orchestra on January 23 and 25 under the baton of Andrés Orozco-Estrada. The cast also includes Lauren Snouffer as Konstanze, Paul Appleby as Belmonte, Rafael Moras as Pedrillo and Abigail Dueppen and Blonde. It will be performed in concert performance. Tickets are available online.

Matti Salminen sings "O, wie will ich triumphieren":


A month later Kevin Thompson will take on the role with West Bay Opera under the baton of José Luis Moscovich and directed by barihunk Eugene Brancoveanu. Performance will run from February 13-22.  The cast also includes Nikki Einfeld as Kostanze, Michael Desnoyers as Belmonte, Tapan Bhat at Pedrillo adn Chelsea Hollow as Blonde. Tickets are available online.

Osmin, who the Pasha's comically sinister overseer of the harem, is a send-up of earlier stereotypes of Turkish despotism. Osmin's music includes some of the composer's most spectacular and vocally challenging music. His Act 3 aria "O, wie will ich triumphieren" includes characteristic 18th century coloratura passage work, and twice goes down to a low D (D2), one of the lowest notes demanded of any voice in opera. In the aria, Osmin sings of the delight that he will have when Pedrillo, Belmonte, Blondchen, and Konstanze are all hanged. The first Osmin was Ludwig Fischer, a bass noted for his wide range and skill in leaping over large intervals with ease. 

Eleven basses show off their Low D:

Osmin's other arias are "Solche hergelaufne Laffen" from Act 1, where he explains in graphic detail why he does not like Pedrillo. Also in Act 1 is "Wer ein Liebchen hat gefunden," when he sings a song while picking figs, not realizing that Belmonte is watching. His song advises the listener to reward your love with kisses and make her life great. It also advises the young lover to lock up your woman's other lovers, lest they tempt her to forget her faithfulness. 


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Bo Skovhus to perform double-bill of operatic rarities

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Bo Skovhus in Reimann's Lear
One of our most popular posts with readers was entitled "Lauri Vasar Strips Down for Il Prigioniero,"which prompted us to put up a follow up post with additional photos of the barihunk in his scivvies. So imagine our excitement when we found out that über-barihunk Bo Skovhus would be performing the piece with Oper Köln in March and April 2015.

Dallapiccola's Il Prigioniero is a 7-part, 50-minute opera which was first broadcast by the Italian radio station RAI on December 1, 1949. The work is based on the short story La torture par l'espérance ("Torture by Hope") from the collection Nouveaux contes cruels by the French writer Auguste Villiers de l'Isle-Adam and from La Légende d'Ulenspiegel et de Lamme Goedzak by Charles de Coster. Some of the musical material is based on Dallapiccola's 1938 choral work Canti di prigionia.


Despite the taxing nature of the role, Skovhus will return after intermission to sing an equally demanding role, that of the bass solo in Bernd Alois Zimmerman's Ekklesiastische Aktion: Ich wandte mich und sah an alles Unrecht das geschah unter der Sonne ("I turned and saw all the injustice there was under the sun")

Bo Skovhus and Silvana Dussmann in The Merry Widow: 

The 35-minute piece is scored for two speakers, bass soloist, and large orchestra, with text based on the words of the Preacher in the Old Testament book of Ecclesiastes. The work also requires enormous physical stamina, as it includes the stamping of feet, gesturing, jumping and performing in various yoga-like poses.

The piece was commissioned by the city of Kiel for the Munich Olympic Games in 1972. Ekklesiastische Aktion was Zimmermann's final composition before he killed himself and the music quotes Bach's, "Es ist genug" (It is enough). That section is played fortissimo by trumpets and trombones in a jolting expression of mortality.

Bo Skovhus is currently singing the role of Graf Danilo in Franz Lehár's Die lustige Witwe (The Merry Widow) at Oper Köln. Tickets and additional cast information for both shows are available online.

David Adam Moore & Xavier Rivera
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Hadleigh Adams featured in Pinchgut Opera promo materials

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Hadleigh Adams in Pinchgut Opera's marketing
We've always wondered why some opera companies don't use their singers in their marketing materials, particularly when they have marketable appearances. We were thrilled to see that Pinchgut Opera in Australia has Hadleigh Adams' notoriously handsome face prominently featured on their marketing materials for Vivaldi's Bajazet.

The performances will be the Southern Hemisphere premiere of the opera. Hadleigh Adams is wrapping up his second season as a San Francisco Opera Adler Fellow and returning to Pinchgut after a successful run as Pollux in their production of Rameau's Castor & Pollux in 2012.

Bajazet, a rarely performed operatic tragedy, premiered in Verona in 1735 and is a pastiche of Vivaldi's own arias, as well as those by Johann Adolph Hasse, Geminiano Giacomelli, Nicola Porpora and Riccardo Broschi. The opera is also known as Il Tamerlano and the story was also successfully set to music by Handel.

Hadleigh Adams in Pinchgut Opera's Castor & Pollux
Vivaldi wove into the opera an underlying tale of power struggles and invasion, reflective of the ones going on at the time, when Neopolitan operas were trouncing their local Venetian counterparts in popularity. Music associated with Neapolitan composers is thus cleverly designated to the invaders Tamerlano, Irene and Andronico.
Vivaldi’s Bajazet, a rarely performed operatic tragedy, premiered in Verona in 1735. An opera of romantic entanglement and love triangles, Bajazet tells the tale of a struggle for power between Bajazet, ruler of the Turks, and Tamerlano, ruler of the Tartars. When Bajazet’s daughter Asteria is threatened with marriage to the invading ruler, she conspires to murder him. The plot thickens after Tamerlano’s former betrothed, Irene, turns up to reveal the scheme, having taken issue with being pushed aside onto Tamerlano’s Greek ally (Andronico) who, unfairly, is also in love with Asteria - See more at: http://www.limelightmagazine.com.au/news/pinchgut-opera-launches-2015-season#sthash.jSqY461i.dpuf
Vivaldi’s Bajazet, a rarely performed operatic tragedy, premiered in Verona in 1735. An opera of romantic entanglement and love triangles, Bajazet tells the tale of a struggle for power between Bajazet, ruler of the Turks, and Tamerlano, ruler of the Tartars. When Bajazet’s daughter Asteria is threatened with marriage to the invading ruler, she conspires to murder him. The plot thickens after Tamerlano’s former betrothed, Irene, turns up to reveal the scheme, having taken issue with being pushed aside onto Tamerlano’s Greek ally (Andronico) who, unfairly, is also in love with Asteria - See more at: http://www.limelightmagazine.com.au/news/pinchgut-opera-launches-2015-season#sthash.jSqY461i.dpuf

Adams has maintained a busy schedule this season while a San Francisco Opera Adler Fellow, having sung Schaunard in La boheme, the Marquis in La Traviata, Grand commissioner in Madame Butterfly and Jailer in Tosca. He also performed Gendarme inPoulenc’s Les mamelles de Tirésias with San Francisco's innovative young company Opera Parallèle.

Performances are on July 4, 5, 7 & 8  2015 at City Recital Hall Angel Place in Sydney. Tickets go on sale on February 9th, so mark your calendars. Also in the cast is Christopher Lowrey as Tamerlano, Helen Sherman as Irene, Emily Edmonds as Asteria and Russell Harcourt as Andronicus.

Zachary Gordin in our Barihunks Charity Calendar
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Andrè Schuen making major debuts in 2015

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Andrè Schuen
 Andrè Schuen who lit up our pages with his shirtless pictures from Donizetti's L'elisir d'amore from Graz is making some major debuts in 2015. But first he kicks off the New Year with a concert with the Berlin Philharmonic that includes Handel's Dixit Dominus, Zelenka's Te Deum and Bach's Singet dem Herrn ein neues Lied.

On February 16th, he makes his debut as Figaro at the Theater an der Wien in Giovanni Paisiello's rarely performed version of Il Barbiere di Siviglia under early music specialist René Jacobs. The opera was adapted from Beaumarchais' play Le Barbier de Séville by librettist Giuseppe Petrosellini and premiered in Saint Petersburg in 1782.The plot of the Paisiello opera and the Rossini version closely resemble each other, with the main difference being Petrosellini's libretto putting greater emphasis on the love story and less on the comic aspects.

Performances run through February 27th and tickets are available online. On March 6, the work will be performed at the Bozar Centre for Fine Arts in Brussels.

Fans in the U.K. will finally have the chance to see Schuen live when he makes his Wigmore Hall debut on March 22nd. Joined by pianist Daniel Heide, he'll perform Schumann’s Liederkreis Op. 24, Frank Martin’s Jedermann and three Harfenspieler songs from Wolf’s Goethe-Lieder. Tickets are on sale now online.  

He currently has no U.S. engagements on his calendar.  


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