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Gyula Orendt in live stream of Orfeo

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Gyula Orendt in Orfeo
Gyula Orendt will headline a live stream performance of Monteverdi’s Orfeo in a co-production between Roundhouse Digital Productions and the Royal Opera House. The Roundhouse Theatre was a railway repair shed from 1847-1960 and now hosts performing arts productions.

The performance will be available on Wednesday, January 21st at 7.15pm GMT/10:15 AM PST/1:15. You can watch the performance at the Royal Opera House YouTube channel or on the BBC Arts website.

Joining Gyula Orendt in the cast is soprano Mary Bevan as Euridice, along with Jette Parker Young Artists James Platt as Charon and Rachel Kelly as Proserpina. Former artistic director of the Royal Shakespeare Company Michael Boyd directs in his operatic debut, with a production that features post-graduate students of the Guildhall School of Music and Drama and participants of East London Dance.

Gyula Orendt and Mary Bevan
Orfeo, which originally premiered on February 24, 1607 in Mantua, is considered the first great opera. Monteverdi incorporated existing musical forms, such as madrigals and the newly developed recitative and the result was considered revolutionary.

The eight performances are all sold out, so this may be your only chance to see the performance.

Krešimir Stražanac heads BACH to church

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Krešimir Stražanac
We originally introduced 31-year-old Croatian barihunk Krešimir Stražanac to readers after a picture of him that we posted of him working out went viral with our readers on Facebook.

Last season at the Zurich Opera, Stražanac sang Bello in Puccini's La fanciulla del West, the Second Nazarene in Richard Strauss'Salome, Fleville in Giordano's Andrea Chenier and Hermann in Offenbach's Les contes d'Hoffmann. This season he'll be keeping his beautiful voice in shape with lots of Johann Sebastian Bach at some amazing churches and cathedrals.

On March 7th, he'll be at the famed Herkulesaal Church in Munich singing the St. John's Passion with Concerto Köln and the Bayerischen Rundfunks Chorus and tenor Julian Prégardien as the Evangelist. The concert will be repeated the next night at the Partenkirchen in Garmisch.

Krešimir Stražanac sings Frank Martin, Schubert and Wolf:

On March 14th, he'll perform Bach's "Ich hab in Gottes Herz und Sinn, BWV 92" and "Herr Jesu Christ, wahr’r Mensch und Gott, BWV 127" with the WDR Sinfonieorchester in Cologne under  Reinhard Goebel.  

In April, he takes on St. John's Passion at the Strifskirche in Stuttgat before returning to Cologne in May for Bach's "Gott fahret auf mit Jauchzen, BWV 128."

If you want to catch him in opera, you'll have to wait until August when he sings Aeneas in Henry Purcell's Dido and Aeneas at the Osor Summer Festival in his native Croatia.

Dmitri Hvorostovsky to make role debut in The Demon

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Dmitri Hvorostovsky
Dmitri Hvorostovsky, who just gets sexier with every passing year, will be making his role debut in Rubinstein’s The Demon from January 30 – February 5 at the Tchaikovsky Concert Hall  in Moscow. The performance will be led maestro Mikhail Tatarnikov with the State Academic Symphony Orchestra of Russia.

Dmitri Hvorostovsky sings music from the The Demon and Don Giovanni:

Joining him in the semi-staged production will be fellow barihunk Alexander Tsymbalyuk, soprano Asmik Grigoryan, contralto Larisa Kostyuk, countertenor Vadim Volkov, tenor Vasily Yefimov,and bass Dmitry Skorikov. Ticket information is available online.

Alexander Tsymbalyuk can currently be seen at the Bavarian State Opera in Donizetti's Lucia di Lammermoor. Hvorostovsky is singing Renato in Verdi's Un ballo in maschera at the Royal Opera House in London. He'll return to the opera in May at the Metropolitan Opera in the role of Count Anckarström.

Ed Parks to sing Thérèse Raquin in Long Beach and Chicago

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Ed Parks
Barihunk Ed Parks is singing the role of Laurent with the Long Beach Opera on January 24th and February 1. He then performs the role with the Chicago Opera Theater from February 20-28.  

Based on  French writer Émile Zola's novel, Tobias Picker's sensual score for Thérèse Raquin mirrors the lovers' turbulent affair. The Long Beach and Chicago casts both star Mary Ann Stewart as Thérèse, Matthew DiBattista as her husband Camille and Suzan Hanson as Madame Raquin.

The Long Beach Opera will offer students tickets for $15 per ticket in an effort to introduce a young audiences to opera.  There is a limit of two tickets per student.

 Mary Ann Stewart and Ed Parks in duet from Thérèse Raquin (rehearsal):

Thérèse and Camille Raquin are a married couple who are reunited with an old friend, Laurent. It soon becomes clear that Thérèse and Laurent are more than old friends as heated confessions of undying love abound between the two. The two conspire to murder the sickly Camille and succeed in dumping him into the Seine to make possible the consecration of their love. The guilty couple soon becomes the object of torment by both their own guilty consciences and the ghost of Camille.

Beginning March 30th, the former Lindemann Young Artist, returns to the Metropolitan Opera to sing the Flemish Deputy alongside fellow barihunk Simon Keenlyside in Verdi's Don Carlo

Barihunk® Malte Roesner face of Staatstheater Braunschweig ad campaign

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Malte Roesner (photo on left by Jens Bartels)
People in the Lower Saxony region of Germany were wondering who the handsome face was adorning ads for the Staatstheater Braunschweig. Reporter Alkmini Laucke figured out that it was ensemble member Malter Roesner and promptly invited him out for an interview and photo shoot with Jens Bartels from JayBe Photography.

In the interview, which you can read in German online, he reveals that his 10 year stint at the Staatstheater Braunschweig is coming to an end after this season. He'll be freelancing and moving to Vienna (any General Directors or Artistic Administrators out there should take note - this charismatic singer is available for casting!).
Malte Roesner (photos by Jens Bartels)
He also discusses partaking in martial arts and yoga to find balance in his life, and he showed up for his interview on his bicycle. Clearly, he has the barihunk routine down to an art.

The ads, it turns out, are for the Staatstheater Braunschweig's annual gala, which is themed "Ein Maskenball" (A masked ball). The two night affair will be held in Braunschweigs Burgplatz on January 30 and 31. The event will include music and dancing and tickets are available online.

Smoldering Dan Kempson in Townsend Opera's Streetcar

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Dan Kempson and Carrie Hennessey in Townsend Opera's A Streetcar Named Desire
Whenever we run a shirtless picture of Dan Kempson, the traffic to our site doubles or triples. So we were thrilled to get this picture of the 2015 Grammy Award nominee from rehearsals for this weekend's run of André Previn's A Streetcar Named Desire, which opens for two performances at the Townsend Opera tonight in Modesto and then heads to the Fresno Grand Opera for a single performance on February 15th.

Although the role of Stanley Kowalski was originally sung by fellow barihunk Rod Gilfry, the role seems like it was written for Kempson. Blessed with one of the most beautiful baritone voices in opera, he also has the same smoldering sexual charisma that Marlon Brando brought to the movie role.  In a stroke of genius casting, Townsend Opera in conjunction with the Fresno Grand Opera were the first to cast him in this role, affording people in Northern California to get the first glimpse of Kempson in a role that will certainly become a signature part for him in his rising career.

Scenes from A Streetcar Named Desire at Townsend Opera
Although Modesto and Fresno are 90 minutes and 3 1/2 hours away from the Bay Area, they are rapidly becoming a key part of the Northern California music scene.  Founded in 1983, Townsend Opera has taken off under Artistic Director Matthew Buckman who launched the Opera Remix Initiative, which is bringing the art form into the 21st century by experimenting with how it can blend the musical styles of today’s world.

Rod Gilfry (left)and Marlon Brando(right)
Fresno Grand Opera, which was founded in 1999, has attracted some of the biggest names in opera, including Jose Carreras, Placido Domingo and Renée Fleming.  In another example of the changing economics of the opera world, the two companies have joined forces in sharing season and production costs, despite remaining separate entities with their own board of directors.

The remainder of the cast includes Carrie Hennessey as Blanche DuBois,  Kiera Duffy as Stella, James Callon as “Mitch,”  Sharmay Musacchio as Eunice Hubbel and Robert Norman as Steve Hubbel. Tickets for the January 23 and 25 performances at Townsend Opera are available online, as are tickets for the February 15th performance in Fresno.


Craig Irvin's shirtless Zurga at Utah Opera

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Craig Irvin and soprano Andrea Carroll
Pictures have finally shown up of barihunk Craig Irvin, who has been singing shirtless in the Utah Opera production of Bizet's The Pearl Fishers, which has its final performance today. Now we hope that some audio shows up, so that we can hear his thrilling voice sing Zurga's "L'orage s'est calmé." 

If you missed him Utah, you can catch him from February 21-March 1 with the Lyric Opera Kansas City where he reprises his portrayal of Lieutenant Hortsmayer in Kevin Puts' Pulitzer Prize-winning opera Silent Night. Irvin practically own the role, having sung it at the Cincinnati Opera, Fort Worth Opera Festival and at the world premiere with the Minnesota Opera. In Kansas City, he'll be reunited with fellow barihunk Liam Bonner, who reprises his performance of Lieutenant Audebert from the initial production.

Craig Irvin and soprano Andrea Carroll
On March 14, Utah Opera will stage their next complete opera with another barihunk, when David Adam Moore takes on Guglielmo on Mozart's Così fan tutte. Performances will run from March 14-22.

In March, Craig Irvin moves into lighter fare, as he sings the Pirate King in the Pensacola Opera production of Gilbert & Sullivan's The Pirates of Penzance. Tickets are available online.

Introducing Frankfurt Opera's Iurii Samoilov

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Iurii Samoilov as Masetto at Oper Frankfurt
We've been following Björn Bürger ever since we first posted him, as he was instantly a hit with our readers. When we were scouring his upcoming performances, we ran across Ukrainian Iurii Samoilov often sharing the same roles or operas with Bürger at the Frankfurt Opera.

Samoilov joined the ensemble at the Frankfurt Opera this season after having been part of their Opera Studio since 2012. This season, he performs sings Marcello in Puccini's La Bohème, the 2nd Knight of the Holy Grail in Wagne's Parsifal, Dandini in Rossini's La Cenerentola and Masetto in Mozart's Don Giovanni. His debut with the company was as the Embittered Gambler in Prokofiev's The Gambler.

 Iurii Samoilov sings Rachmaninov's Do not sing, my beauty:

Samoilov graduated from the National Music Academy of Ukraine in 2011 and in 2009 he was the youngest singer to ever reach the finals at theNeue Stimmen Competition in Germany.

Last season, he also appeared in Rossini's Il viaggio a Reims at the 2014 Rossini Opera Festival. From April 18-26, he'll be at the Teatro Massimo in Palermo to perform in Adolphe Adam's Le Toréador opposite fellow barihunk Andrea Concetti.

Björn Bürger
You can catch him as Marcello in Puccini's La Bohème at the Frankfurt Opera on March 19th, as well as alternating the roles of Masetto in Mozart's Don Giovanni and Dandini in Rossini's La Cenerentola with Björn Bürger later this season. 

Watch Ildar Abdrazakov in Richard Tucker Gala

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Ildar Abdrazakov
If you missed the broadcast of the Richard Tucker Gala on PBS a few days ago, you can still watch it online. Barihunk Ildar Abdrazakov is one of the featured performers, singing “Infelice!..e tuo credevi” from Verdi's Ernani, “Là ci darem la mano” from Mozart's Don Giovanni with Ingeborg Gillebo and the sextet from Donizetti's Lucia di Lammermoor.

Also featured on the broadcast is baritone Željko Lučić, soprano Pretty Yende, soprano Angela Meade and the thrilling tenor Michael Fabiano.

If you're in New York, make sure to check out Ildar Abdrazakov's upcoming recital. Clink on his image to the right to buy tickets.

Keith Miller's sexy Riolobo in Florencia en al Amazonas

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Keith Miller as Riolobo
Keith Miller just wrapped up a 3-performance run as Riolobo in Daniel Catán's Florencia en al Amazonas with the Nashville Opera. We had to share this amazing picture of the bodybuilding barihunk, who become a regular in our annual calendar.

Back in August, director John Hoomes told us this about the production:

"As opposed to some productions of the work, our production with focus more of the magic-realistic, sensual, fever-dream aspects of the piece, with extensive dreamlike immersive HD video, and a living, writhing, singing river...As Riolobo, [Keith Miller] will sing the role of the steersman of the steamship, and he will also appear as a manifestation of a mystic Amazon River god.  His river god costume will be inspired by the male costumes from Trinidad Carnival."
In 1996, Florencia en al Amazonas was the first Spanish-language opera to be commissioned by a major American opera house. It premiered at the Houston Grand Opera, and was subsequently performed at the Los Angeles Opera and the Seattle Opera. Daniel Catán died in 2011 at age 62, shortly after the premiere of his last opera, Il Postino, based on the popular Italian film. At the time of his death, he was at work on a new piece, Meet John Doe, inspired by Frank Capra’s classic film of the same title.

The two-act opera Florencia en al Amazonas is set on the steamboat El Dorado in 1910, where the famous opera singer Florencia is traveling down the Amazon to perform in Manaus. Florencia desires to encounter her lost love, a butterfly hunter who entered the jungle and never returned. The dramas aboard the steamboat weave love, conflict, loss, a violent storm, and ultimately a cholera epidemic that keeps the passengers quarantined and Florencia’s dream apparently dashed.

Gianluca Margheri featured as "barihunk" in I Puritani article

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Italian barihunk Gianluca Margheri was featured in Forum Opera's plug for today's broadcast of Bellini's I Puritani from the Maggio Musicale Fiorentino in Firenze today. The broadcast was on Italian radio Rai 3 and available worldwide. Margheri was singing the role of Lord Walton (apparently with his shirt on!). Performances run through February 15th.

He next heads to Budapest, where he will sing the title role in Mozart's Don Giovanni from March 20-26. The last time he performed the role he was shirtless and you can find a clip HERE.

Thomas Tatzl to star in new opera based on Lorca play

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Thomas Tatzl
Austrian barihunk Thomas Tatzl will star in composer Mauricio Sotelo's new opera El Público, commissioned  by the last Gerard Mortier for the Teatro Real in Madrid. The work was adapted by Andrés Ibáñez from a 1930 piece by Federico García Lorca, which he wrote in Cuba after the transcendent trip he made to New York, in the midst of a profound emotional crisis and creative spirit.

The play, which Lorca gave to his friend Martínez Nadal on the condition that he destroy it upon his death, was premiered in Milan in 1968. Librettist Andrés Ibáñez wrote this about keeping the two essential themes of the work:
“...homosexuality and contemporary theatre. They both come united in a central theme that relates to the appearance or the mask. A mask of “love that cannot be named”, and in the end a mask that reveals itself as the essence of the human being. (...) Obscenity, cruelty, and irreverence are basic elements of Lorca’s poetic language. They have not been emphasised nor avoided. The text explores sexual desire with an honesty and complexity that defies the more or less moralist well-meaning simplifications.”
Thomas Tatzl, who we briefly featured back in 2012, studied voice at the University of Music and Performing Arts in Graz and the University of Music and Performing Arts in Vienna. He was a member of the ensemble at the Zurich Opera House, and has also performed at the Salzburger Festspiele, Maggio Musicale Firenze, Schleswig Holstein Music Festival, the Menuhin Festival in Gstaat, the Music Society Steiermark and the “Amici della Musica” in Padua.

The opera runs from February 24-March 13 and it will be recorded on DVD with international distribution, as well as broadcast on television and on the web.

John Brancy in Edmonton's Magic Flute

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John Brancy returns to the role of Papageno in Edmonton Opera's The Magic Flute, which opens Saturday, January 31st and runs through February 5th.

The opera, which was created and designed in house, will be presented as a visually stunning, exotic pop-up storybook. The vibrant hues and angular set pieces hint at an exotic location without placing it in any one specific locale or time period.

Tickets available ONLINE. You can watch highlights of the production below.



Next up for Brancy is another Mozart role, when he takes on Figaro in the composer's The Marriage of Figaro at Opera Lyra Ottawa. Performances run from March 21-28th at Southam Hall at the National Arts Centre. This will be his debut with the company.   


Happy Birthday, Philip Glass!!!

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Martin Acrainer in Orphée(left) and Spuren der Verirrten (right)
Nary a year goes by where we don't celebrate the birthday of American composer Philip Glass who turns 77 today.

Many of his 20+ operas have become staples of the standard repertory including Hydrogen Jukebox,Einstein on the Beach, Satyagraha, Akhnaten, and The Voyage. We've featured many of the more obscure operas on this site, including Kepler, Les Enfants Terribles, The Perfect American, Orphée and Galileo Galilei, which have become popular vehicles for barihunks like Martin Achrainer, Philip Cutlip, Matthew Worth, Nicholas Nelson and Timothy McDevitt.

Glass was born in Baltimore and studied at the University of Chicago, the Juilliard School and in Aspen with Darius Milhaud. Finding himself dissatisfied with much of what then passed for modern music, he moved to Europe, where he studied with the legendary pedagogue Nadia Boulanger and worked closely with the sitar virtuoso and composer Ravi Shankar. He returned to New York in 1967 and formed the Philip Glass Ensemble.

Guillaume Andrieux in Philip Glass'Les Enfants Terribles
Glass likes speak of himself as a composer of “music with repetitive structures.” Much of his early work was based on the extended reiteration of brief, elegant melodic fragments that wove in and out of an aural tapestry. Or, to put it another way, it immersed a listener in a sort of sonic weather that twists, turns, surrounds, develops.

Upcoming performances of Glass operas include The Trial, which will run at the Theater Magdeburg from April 1-May 8 with barihunk Johnny Herford as Josef K. In the U.S., Hydrogen Jukebox will play at the Long Beach Opera from May 30-June 7. Perhaps the most popular Glass opera this season is Akhnaten, which will play in Antwerp in February, Gent in March, Heidelberg in March and Maastricht in June.

Properly introducing Brian Mextorf; Competing in Met SE Regional Finals

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Brian Mextorf
We briefly introduced Brian Mextorf back in September 2013, when he was workshopping composer Clint Borzoni's Antinuous and Hadrian with Operamission in New York City. He recently was named a winner of the Metropolitan Opera National Council Auditions (North Carolina District), so we thought this was a good time to properly reintroduce him to readers.

Mextrof hails from Williamsport, Pennsylvania and studied music at the Oberlin Conservatory of Music (B.M.) and the Westminster Choir College (M.M.). This season he'll be an Emerging Artist with Virginia Opera for the 2014-15 season. In 2012, he was a member of the Gerdine Young Artist with the Opera Theatre of St. Louis where he performed three roles in the North American premiere of Unsuk Chin’s Alice in Wonderland.

A favorite of Operamission, in addition to Borzoni's work, he has appeared as Lesbo in their production of Handel’s Agrippina and Edward Ficklin’s Flash of Recognition. He sang Judas in the Philadelphia Orchestra's performance of Bach's St. Matthew Passion under the baton of Yannick Nézet-Séguin in a cast that included fellow barihunks Luca Pisaroni and Andrew Foster-Williams.

Christian Zaremba and Alexander Elliott to compete in Met Semi-Finals
He will also be making his debut at Opera Saratoga as Aeneas in Dido and Aeneas. His Dido will be Jennifer Johnson Cano and the performance will be led by the brilliant conductor Nicole Paiement. Performances run from July 6-21 and tickets are available online.

Mextorft will compete in the Metropolitan Opera's Southeast Regional Finals on February 15, 2015. We'll be watching those closely, as a number of other singers who have appeared on this site will be competing in the regionals, including Vasil Garvanliev, Robert Balonek, Ricardo Rivera, Cairan Ryan, Alexander Elliott, Colin Ramsey, Steven Eddy, Christian Zaremba, Andrew Lovato and Chris Carr.       

Also competing are a number of singers who we've not featured yet, but will profile this week. They include Jonathan Harris, Phillip Gay, Andrew Bogard, Zachary Read, Brian Vu, Ben Taylor, Nathan Milholin, Christopher Besch and Christian Pursell.    

James Newby taking on ill-fated romantic leads

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James Newby as Eugene Onegin in London
British barihunk James Newby is performing two very different lovers, both of whom don't see their stories end too well. He just wrapped up a run in the title role of Tchaikovsky's Eugene Onegin at St Andrews Church in London and will return to the venue from April 11-16 when he sings Don Giovanni with the Moon-Little Theatre. We'll have additional details soon.

We first featured James Newby back in August 2013, when the 20-year-old rugby-playing baritone was brought to our attention via Twitter (follow him@jamesn103) . He is currently in his third year of study at Trinity Laban Conservatoire of Music and Dance in London. Newby previously studied with barihunk Omar Ebrahim, who blew up our site when he went for the Full Monty in a post.

We subsequently featured him with vlogger Davey Wavey as part of the barbershop quartet Short, Back and Sides singing "To Russia With (Gay) Love.” The video showed the worldwide support for LGBT Russians from people across the globe. Check out their website and their selection of soundclips.

If you love great low voices, visiting Artist in Voice at Trinity Laban Conservatoire of Music Matthew Rose will perform Schubert’s Die Winterreise with pianist Gary Matthewman on February 6th as part of their Chapel Concert Series. The event is free, but requires tickets.




Michael Adams takes top honors at Met regional

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Michael Adams at a Barihunks lunch in Ft. Worth (left)
Barihunk Michael Adams took top honors at the Metropolitan Opera National Council Auditions Gulf Coast regional finals held in New Orleans. The 24-year-old Texas native wowed the judges with performances of Tomsky's aria from Tchaikovsky's Pique Dame and Schaunard's aria from Puccini's La bohème.

Adams is a second year Resident Artist at the Academy of Vocal Arts in Philadelphia, where he has performed Taddeo in Rossini's L'italiana in Algeri, Lescaut in Massenet's Manon, Germont/Marquis and Verdi's La traviata, Count Tomsky in Tchaikovsky's Pique Dame and Guglielmo in Mozart's Così fan tutte. Last year, he won First Place in the Mario Lanza Institute Scholarship Competition.

Adams went to school at Texas Christian University (TCU), where he originally was pursuing a career in baseball. A torn Achilles tendon led him to pursue a career in singing. 

Adams wasn't the only baritone who fared well in the Big Easy, as Leroy Davis took Second Place and Ricardo Rivera shared Third Place with tenor Casey Candebat. 

Tom Forde in Madison's Sweeney Todd

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Tom Forde in Tosca (left)

Tom Forde has been doing a little bit of everything lately. The last time we posted about him, he was taking time off from his ensemble work at the Zurich Opera to play the 7-11 clerk Omar in a Doritos commercial. He's also been mixing in a lot of musical theater work, singing in The Addams Family and Les Misérables.

This season, he'll be at the Madison Opera in both musical theater and opera. First up he'll portray the evil Judge Turpin in Sondheim's Sweeney Todd, which runs from February 6-8 at the Capitol Theater. He'll return in April to sing Don Basilio in Rossini's The Barber of Seville. Tickets for both shows are available online

If you want to learn more about Tom Forde, you can read an interview with him online from the Madison Opera blog.

Ryan McKinny's sexy Flying Dutchman rehearsal photos

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Ryan McKinny in Flying Dutchman rehearsals at Hawaii Opera Theater (far left and right) and Glimmerglass (center)
Back in June 2013 we ran some sexy photos from photographer Karli Cadel of barihunk Ryan McKinny in rehearsals for Wagner's The Flying Dutchman at the Glimmerglass Festival. It became one of our most popular posts and still gets an amazing amount of traffic almost two years later.

That amazing production from Glimmerglass has been transported 4,900 miles to the Hawaii Opera Theater with three of the main cast members repeating their roles, including Jay Hunter Morris as Erik, Melody Moore as Senta and McKinny as the Dutchman. Hawaii even added barihunk Paul Whelan as Daland.

Forunately, there are more rehearsal pictures of Ryan McKinny, so we had to share them with you.

Ryan McKinny in Flying Dutchman rehearsals at Hawaii Opera Theater
Performances run from February 13-17 and tickets are available online. If you were planning on a vacation to Hawaii, this would be the time to go.

Hawaii Opera Theater, or HOT as they're affectionately known, has more barihunks on their season lineup. Wes Mason will sing the role of Jonathan Reed in Jonathan Dove's Siren Song, running from March 20-28. Jesse Blumberg then joins the roster for a run as Anthony Hope in Stephen Sondheim's Sweeney Todd from April 24-28.

We're left muttering HOT is HOT!!!

Barihunks star in Atlanta Opera's new season

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David Adam Moore in Winterreise at the Anchorage Opera
Some of the most popular barihunks in the world will be headlining in a number of performances in the just announced 2015-16 Atlanta Opera season.

David Adam Moore, who is currently performing the title role in Tchaikovsky's Eugene Onegin at the Arizona Opera, will bring his critically-acclaimed semi-staged production of Schubert's Winterreise. The production was designed by GLMMR with costumes by Moore's partner Vita Tzykun.

Eugene Opera runs through February 8th at the Arizona Opera and the cast also features barihunk Nicholas Masters as Prince Gremin. Barihunk Chris Carr takes over the title role for one performance on February 7th. Additional information is availabel online.

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Matthew Worth will take on David T. Little's Soldier Songs, which David Adam Moore had a critical success with in 2008 when it was presented by Beth Morrison Projects in New York. Worth is currently preparing the role of Sergeant Raymond Shaw in the world premiere of Kevin Puts' The Manchurian Candidate at the Minnesota Opera. The opera opens on March 7 and runs through March 15.
Matthew Worth(left)and Theo Hoffman (right)
Soldier Songs is an evening-length multimedia event that combines elements of theater, opera, rock-infused-concert music, and animation to explore the perceptions versus the realities of the Soldier, the exploration of loss and exploitation of innocence, and the difficulty of expressing the truth of war. The libretto was adapted from recorded interviews with veterans of five wars.

Moving into the standard repertory, rising star Theo Hoffman will sing the role of Schaunard in Puccini's La bohème in a cast that also features Trevor Scheunemann and Leah Partridge. The remainder of their season included Gilbert & Sullivan's Pirates of Penzance and Gounod's Romeo & Juliet. Visit their website for additional information.

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