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Barihunk Duo in Bregenz's Cosi fan tutte

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Grigory Shkarupa and Maxililian Krumme (far right in Cosi fan tutte)
The Bregenzer Festspiele opened their production of Mozart's Cosi fan tutte today and we received an enthusiastic email from an attendee alerting us to two barihunks in the cast, both of whom are new to us. Maximilian Krumme is singing Guglielmo and Grigory Shkarupa is singing Ferrando under the direction of Jörg Lichtenstein.

There are three performances remaining on August 18, 20 and 22 and tickets and additional cast information is available online. 

Maximilian Krummen
Maximilian Krumme was born in Fürth and raised in Radolfzell, Germany. He graduated from the Hochschule für Musik und Tanz Köln with a Masters of Music.

Since the 2013-14 seaason, he has been a member of the International Opera Studio at the Staatsoper Berlin. At the Opera Studio he has performed Fiorello in Rossini’s The Barber of Seville, Baron Douphol in Verdi’s La Traviata, Kilian in Weber’s Der Freischütz, Sciarrone in Puccini’s Tosca, as well as the New Music Productions workshops.

He has also performed Papageno, Aeneas in Purcell’s Dido and Aeneas, and Morales in Carmen at the Theater Aachen. He previously sung Guglielmo at Hamburg Theatre Academy. This is his second appearance in Bregenz, having appeared last season in the double-bill of Stravinsky's Le Rossignol and Szymon Laks Le Hirondelle inattendue.  

After the Festival, Krummen returns to the Staatsoper in Berlin to sing Ecclitico in Haydn's Il mondo della luna, Kilian in Weber's Der Freischutz and Sciarrone in Puccini's Tosca.  

Grigory Shkapura
Grigory  Shkarupa was born in St. Petersburg and studied at the Glinka Choral College and the St. Petersburg State Conservatory. At the Opera Studio of the Conservatory he performed Gurnemanz in excerpts from Wagner’s Parsifal, Zuniga in Bizet’s Carmen and Panas in Rimsky-Korsakov’s The Night before Christmas Eve. He is also a member of the International Opera Studio at the Staatsoper Berlin.

He's performed numerous roles at the Mariinsky Theatre in St. Petersburg, including the Prisoner in Verdi’s Nabucco, Patsyuk in Rimsky-Korsakov’s The Night before Christmas Eve, Mityukha in Mussorgsky’sBoris Godunov, Zuniga in Bizet’s Carmen, The Monk in Verdi’s Don Carlo and the Soldier in Berlioz’s Les Troyens

After the Festival, Shkarupa returns to Berlin to sing Angelotti in Puccini's Tosca, Samuel in Verdi's Un ballo in maschera and Grenvil in Verdi's La traviata. You can listen to Shkarupa sing a Russian folk song HERE.

Reader Submission: Patrick Egersborg

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Patrick Egersborg(on right in Handel's Orlando)
We've had a sudden uptick in Reader Submissions from Scandinavia while we've been covering the Queen Sonja Vocal Competition in Oslo (which wraps up on August 21st). The latest is Norwegian bass-barihunk Patrick Egersborg, who graduated with a masters degree from the National Opera Academy in Oslo. He has also studied at the Hochschule für Musik “Hanns Eisler" in Berlin and in London on a scholarship. He is also was awarded a scholarship from Opera Grange Park to further his studies.

While at the Opera Academy, he sang in the full production of Cavalli's L’Ormindo, as well as excerpts from numerous operas. Last year he performed Don Alfonso' in Mozart's Cosi fan tutte and in 2013 he sang The Operator in the world premiere of Mæland's Ad Undas at The Norwegian National Opera.

In 2010,  Egersborg sang the role of Spurio and The Executioner at the Grimeborn Festival in the first complete showcase of Jools Scott's jazz-opera Vice, which also played at the Soho Theatre. In 2012, he sang the role of Zoroastro in the Norwegian premiere of the Handel's Orlando at Åmot Operagard. In 2013, he sang Dottore Spinnelloccio/Notaro and Talpa in Puccini's Il Trittico at a Master Class at the Norwegian National Opera under the baton of Magnus Loddgard and last  year he appeared as Sam in Bernstein's Trouble in Tahiti at the Oslo Opera Festival.

He also sings regularly for the Oslo Opera Festival and has appeared in concert at Universitetets aula, the Romerike Symphony Orchestra and at the summer concerts on the balcony at the Norwegian National Opera. You can hear him singing Mozart's Se vuol ballare from Le nozze di FigaroHERE.

Upcoming performances include an appearance with OperaSalong in Ringsakeroperaen in September and Zuniga in Bizet's Carmen in November at the Ringsakeroperaen. He will also be appearing in our 2016 Barihunks Charity Calendar, which is due out on October 1st.

Reader Submission: Jacob Scharfman

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Jacob Scharfman
We love that the Reader Submissions are pouring in and the latest is American barihunk Jacob Scharfman, who was spotted by a reader at this last month's 2015 Handel Aria Competition in Madison, Wisconsin. Here's Scharfman's unedited, lighthearted bio:

Baritone Jacob Scharfman is making a splash in Boston, his home city, where he began singing in church-basement children’s operas at age seven. Though he loathed soccer, he loved frilly outfits, and the proscenium offered the only natural outlet for such “originality.” Selected for the Bohème children’s chorus at Boston Lyric, aged ten, he famously told the conductor to “fix his downbeat.” Red (rainbow?) flags were everywhere.



Now taller, lankier, bearded, but still utterly tactless, he’s elbowing his way to stardom. The Boston Musical Intelligencer deems his voice “certain to gain popularity […] well-rounded and rich, maintaining clarity and precision throughout his entire range.” In June, the Boston Classical Review acclaimed his “rich, ringing” performance of Mr. Webb in Ned Rorem’s Our Town with the Boston Opera Collaborative. Other 2015 roles included Rugby in Vaughan William’s Sir John in Love with Odyssey Opera, Prince Yeletsky in Queen of Spades with Harvard’s Lowell House, and the Pilot (cover) in Rachel Portman’s Little Prince with Opera Fayetteville.

Honoring his type-A Jewish overachiever lineage, he’s got a packed concert season ahead. Upcoming engagements include the Henry Purcell Society of Boston, Boston Baroque, Exsultemus, and Schola Cantorum of Boston, in addition to several personal recitals and tapings in preparation for grad school auditions. Wish him luck. For further updates, find him at www.facebook.com/jacobscharfmanmusic or the perennially incomplete jacobscharfman.com.

Christiaan Smith-Kotlarek joins Beauty and the Beast tour

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Christiaan Smith-Kotlarek
Barihunk Christiaan Smith-Kotlarek will be joining the national tour of Beauty and the Beast as Gaston. The entire tour schedule is available online.

He's not new to singing Broadway music, having sung Tommy in The Music Man at Ash Lawn Opera and “The Best of Opera and Broadway” with Opera Louisiane. He's also performed in a number of cabaret shows and recently performed a solo show at SubCulture, which included music by Stephen Sondheim and Andrew Lloyd Webber. 

Yuriy Yurchuk takes 3rd Prize at the Queen Sonja Competition

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Yuriy Yurchuk (far left & right), Lise Davidsen, Queen Sonja and Elsa Dreisig
(Photo: Marius Nyheim Kristoffersen)
Soprano Lise Davidsen took the €40,000 top prize The Queen Sonja International Music Competition, making her the first Norwegian to win the competition since barihunk Audun Iversen in 2007. Although, three baritones made it to the Final 5, only Ukrainian Yuriy Yurchuk finished in the money, taking the €5,000 3rd Prize. French soprano Elsa Dreisig took the €10,000 2nd Prize.

For a limited time you can watch the finals online at NRK

Joel Herold back at LoftOpera in Mahler/Berlioz double-bill

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The ever-innovative LoftOpera, whose goal it is to "[remove] barriers between the audience and the stage," will be presenting a staged double-bill of Mahler's Lieder eines fahrenden Gesellen and Berlioz's Les nuits d'été directed by John De Los Santos. The pieces will feature mezzo-soprano Rebecca Ringle and barihunk Joel Herold.

Herold was a national semi-finalist in the Metropolitan Opera National Council Auditions and participated in The Audition documentary that highlighted the competition.  Previous performances with LoftOpera include Gubetta in Donizetti's Lucretia Borgia, Fiorello in Rossini's Il Barbiere di Siviglia and Schaunard in Puccini's La Bohème. He participated in Opera Memphis' one-of-a-kind opera tour called #30daysofopera, which received buzz for it’s innovative approach to reaching new audiences. He has held a number of Young Artist positions at Fort Worth Opera, Saratoga Opera, and Connecticut Opera. Herold has sung additionally with the Santa Fe Concert Association, Opera Cleveland, Knoxville Opera, and Opera Theater of Pittsburgh.

Performances of the Mahler/Berlioz double-bill are on August 28 and 29. Tickets are available online and they're only $20. 

Martin Achrainer featured on Austrian national TV

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Martin Achrainer
Austrian barihunk Martin Achrainer was recently featured on Österreichischer Rundfunk (ORF), Austria's national public television station. He discusses his career and time at the Linz Landestheatre, where he has become a house favorite.

Watch the ORF feature on Martin Achrainer:

He returns to action at the Linz Landestheatre on September 19th, when he alternates the role of Baron Douphol in Verdi's La traviata with Till von Orlowsky. On September 20, he'll be singing very different music, as he will be the soloist in Hans Werner Henze's El Cimarrón – Der Weg ins Freie at the International Bruckner Festival in Linz. On October 10, he'll be one of the soloists in Bruckner's Missa solemnis with the Bruckner Orchestra of Linz.

Barihunk "Group Claw" at Seagle Music Colony

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Top::  Kyle White, Ryan Stoll, Michael Miller, Eric McConnell
Middle:  Blake Jennings, Mason Jarboe, Thomas West, Nate Mattingly
Bottom Row:  Patrick Jones, Johnny Salvesen, Ryan Hill, Andrew Simpson
The low voices at this year's Seagle Music took a group photo in their new Barihunk t-shirts and giving the camera their best baritone claws.

This year's season included Verdi's Falstaff, Rossini's The Barber of Seville, Sondheim's Into the Woods, Schönberg & Boubill's Les Misérables, Andrew Duncan's The Ugly Duckling and a guest appearance by barihunk Seth Mease Carico.

Seagle Music Colony, which was founded in 1915, is the oldest summer singer training program in the country.

Reader Submission: Riccardo Fioratti

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Riccardo Fioratti(Photo on right by Roberto Recanatesi)
Our latest Reader Submission is Italian barihunk Riccardo Fioratti, who was born in the province of Rovigo. He just wrapped up a run as Giorgio in Rossini's La gazza ladra in Bologna in an all-star cast that included fellow barihunk Alex Esposito, Simone Alberghini, René Barbera, Nino Machaidze and Marko Mimica.

Fioratti studied organ and opera at the Conservatorio di Musica “Francesco Venezze” in Rovigo and Conservatorio "G. Frescobaldi" in Ferrara. He continued his studies with the great Rossini tenor William Matteuzzi and attended the L.T.L. Opera Studio in Pisa, where he performed the Narrator in Kurt Weill's The Threepenny Opera under the direction of Nathalie Marin. He also studied at the Rossini Academy under the artistic direction of Alberto Zedda, performing in the composer's comedy Il Viaggio a Reims.

Shizuka Salvemini and Riccardo Fioratti perform Shostakovich's Suite Michelangelo, op. 145:

Additional roles have included Tagliaferro in Piccinni's La Cecchina at the Malatestian Music Festival in Rimini,  Shostakovich's Michelangelo's Sonnets in a production by the theater group City of Ebla, Don Magnifico in Rossini's La Cenerentola at Tenerife Opera and the protagonist Brundibar by Hans Krasa with the Sucre National Theater in Quito.

Sexy photo shoot of Ramin Karimloo

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Ramin Karimloo
Barihunk Ramin Karimloo is performing the role of Jean Valjean in Les Misérables eight times a week at the Imperial Theatre in New York City. That alone is a workout, but he's also been buffing up at the Columbus Circle Equinox.

Fortunately, The Broadway Style Guide did a feature on his workout routine which includes some amazingly beautiful photos by Matthew Murphy and his assistant Mitch Dean. You can read the entire feature on their website

the Columbus Circle Equinox
Imperial Theatre
Imperial Theatre
Ramin Karimloo
Karimloo, who is classically trained, has spent most of his career singing Broadway musicals. He sang the Pirate King in the U.K. tour of Gilbert & Sullivan's The Pirates of Penzance. Tickets for Les Misérables are available online.

David Adam Moore to make Salzburg Festival debut

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David Adam Moore (far left in Dead Man Walking at DMMO)and Barihunk Calendar photos(center, right)
Barihunk David Adam Moore will be making his Salzburger Festpiele debut in the 2015-16 season. He will be creating the role of Colonel Alvaro in the world premiere of Adès’ The Exterminating Angel in a production by Robert Lepage.

The opera, which is a co-commission between the Met, the Salzburg Festival and the Royal Opera,  features a libretto by Tom Cairns who based the work on the 1962 Luis Bunuel film of the same name. The co-commission was originally announced in 2011, but was delayed for unspecified reasons. After Salzburg, it will be performed at London's Royal Opera in the Spring of 2017 and at New York's Metropolitan Opera in the Fall of 2017.

Hunkentenor Ed Lyon
Word has it that Moore will alternate the role with fellow barihunk Simon Keenlyside, who has been sidelined with an illness since withdrawing from Rigoletto in Vienna in December 2014. The remainder of the cast is rumored to include hunkentenor Ed Lyon, Alice Coote, Frederic Antoun, Amanda Echalaz and Audrey Luna. 

 Thomas Adès’s The Exterminating Angel will be premiered in Salzburg next year, ahead of performances at the Royal Opera House, London and the Metropolitan Opera, New York.  

Barihunk trio in Kansas City's Don Giovanni

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Daniel Okulitch as Don Giovanni at NY City Opera
The Lyric Opera of Kansas City is opening its 58th season with Mozart’s Don Giovanni featuring the barihunk trio of Daniel Okulitch in the title role, Joshua Bloom as Leporello and Rhys Lloyd Talbot as Masetto. Performances are on September 26 and 30 and October 2 and 4 at the Kauffman Center for the Performing Arts. Tickets are available online


The trio are also all alumni of the prestigious Merola Opera Program in San Francisco, with Daniel Okulitch taking part in 2002, Joshua Bloom in 2001 and 2003, and Rhys Lloyd Talbot in 2013 and 2014. Elizabeth Caballero, their Donna Elvira, was in the program with both Okulitch and Bloom. 

After Don Giovanni, Bloom will portray The Pirate King in Gilbert & Sullivan's The Pirates of Penzance in October at both Théâtre de Caen and Les Théâtres de la Ville de Luxembourg. Okulitch will head to the Manitoba Opera where he will sing Count Almaviva in Mozart's Le nozze di Figaro. Talbot just completed the Young Artist program at Glimmerglass where he performed the Speaker/Second Priest in Mozart's The Magic Flute and the Apparition in Verdi's Macbeth.

Reader Submission: Joe Eletto

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Joe Eletto
Our latest Reader Submission is American barihunk Joe Eletto, who will be performing at Opera in the Park on August 29 and September 13 with the Virginia Opera. Eletto is a participant in Virginia Opera's Herndon Foundation Emerging Artist Program, where he will cover the roles of John Styx in Offenbach's Orpheus in the Underworld and Schaunard in Puccini's La bohème, and beginning in January 2016 will tour with their school outreach production of Little Red Riding Hood.

Eletto completed his Bachelor of Music with Distinction in Research and Creative Works at Rice University and earned his master of music from The Juilliard School and participated in Ravinia’s Steans Music Institute as a Vocal Fellow, Houston Grand Opera's Young Artists Vocal Academy and Aspen Music Festival and School. He won an Encouragement Award from the Opera Index Vocal Competition, first-prize in Classical Singer Magazine’s 2013 competition in the University Division, and second-prize in the inaugural Hal Leonard Vocal Competition in the College/University Voices Division.

Joe Eletto
In March 2016, he will sing his first Fauré Requiem with the Symphony Orchestra Augusta, Georgia. He recently made his debut with the Crested Butte Music Festival singing Malatesta in Donizetti's Don Pasquale and returned to the Bard Music Festival for their musical survey of Mexican composer Carlos Chávez, having sung Schubert’s Partsongs the previous year. He created the role of Felix Mendelssohn in Victoria Bond’s new opera Clara with Cutting Edge Concerts New Music Festival and sang with the New York Festival of Song in a performance curated by composer Mark Adamo.

Opera in the Park is free to the public and will be held at Dogwood Dell Amphitheatre in Richmond, Virginia. The park opens at 6 PM and the concert starts at 7:30 PM on both nights.

Erwin Schrott's year all Don Giovanni & Figaro

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Erwin Schrott
Erwin Schrott's stage performances for the remainder of the year is nothing but Mozart's Don Giovanni and Le nozze di Figaro. Tomorrow night he performs Don Giovanni in a concert version of the opera in the tent in Gstaad performed by the orchestra La Scintilla from the Zurich Opera under the baton of Pablo Heras-Casado. The cast includes Véronique Gens and Regula Mühlemann.

On September 15ht, he opens at the Royal Opera House in London for seven performances as Figaro in Le nozze di Figaro with fellow barihunk Stéphane Degout as Count Almaviva. The cast includes Ellie Dehn as the Countess, Kate Lindsey as Cherubino and Ann Murray as Marcellina.

In October, he heads to the Wiener Staatsoper to portray Leporello in Don Giovanni with fellow barihunk Mariusz Kwiecien in the title role. The cast includes Andrea Carroll as Zerlina and Juliane Banse as Donna Elvira.

The trend continues into 2016, when he returns to the Bayerische Staatsoper in Munich as Don Giovanni in a barihunk-laden cast that includes Alex Esposito as Leporello and Brandon Cedel and Tareq Nazmi rotating as Masetto.

His only U.S. performance is scheduled for December 12th when he performs Rojotango, his show of tangos by Astor Piazzolla and Pablo Ziegler as well as Argentinean and Brazilian folk songs.

Dominik Köninger catching birds and debuting baritone Hoffmann

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Dominik Köninger as Papageno in the Barrie Kosky production
German barihunk Dominik Köninger is at the Edinburgh Festival reprising his highly-acclaimed Papageno in Barrie Kosky's magical production of Mozart's Die Zauberflöte, which has performances remaining on August 29 and 30.

The innovative Barrie Kosky production of Die Zauberflöte is a collaboration with the amazing British theater group “1927," who put together a production that mixes silent movies, Weimar era cabaret, David Lynch and a touch of the Grimm's Fairy Tales.

The oft-shirtless Dominik Köninger
If you can't catch Köninger as Papageno in the U.K., you'll have plenty of additional opportunities as he's singing the role in the same production at the Deutsche Oper am Rhein beginning on September 19th, then again in Barcelona next summer at the Gran Teatre del Liceu.

We've been huge fans of Dominik Köninger since he won the 2011 Wigmore Hall Song Competition and have been enjoying his regular appearances at the Komische Oper Berlin, where he's sung in Monteverdi's Orpheus, Guglielmo in Mozart's Così fan tutte, Pantalone in Prokofiev's The Love for Three Oranges, Oreste in Gluck's Iphigenie en Tauride and Count Almaviva in Mozart's Le nozze di Figaro.  

 Dominik Köninger sings Hai gia vinta la causa from the Marriage of Figaro:


He returns to Berlin on September 11th to sing the title role in Handel's Giulio Cesare with fellow barihunk Günter Papendell as Achilla. On October 2nd, he'll open in Barrie Kosky's new production of Offenbach's The Tales of Hoffmann. For the first time in the opera's 132-year performance history, the role of Hoffmann will be sung by a baritone, which was Offenbach's original intention.

Barihunk duo alternating Count Almaviva's at Bolshoi

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Konstantin Shushakov (left) and Andrei Jilihovschi (right)
We have "Barihunk scouts" on three continents who keep us well apprised of singers and productions worldwide, but we rarely get messages from Russia even though we get a lot of traffic from the country. So we were pretty thrilled to receive a message from a fan in Moscow letting us know about the barihunk duo alternating Count Almaviva in Mozart's Le nozze di Figaro at the Bolshoi Theater. 

We originally featured Konstantin Shushakov back in 2011 when he took 2nd place at Operalia, but Andrei Jilihovschi is new to us. 

Shushakov was born in Udmurtia, Russia and began his vocal studies at Izhevsk Music College before moving on to the Russian Academy of Theatrical Art. He has been a regular at the Bolshoi Theatre since 2011, where he's been critically acclaimed as Papageno in Mozart’s The Magic Flute and Yeletsky in Tchaikovsky’s The Queen of Spades. In the 2012-13 season he made his debut in the title role of Tchaikovsky’s Eugene Onegin at the Maribor Opera. Last season, he appeared as Guglielmo in Mozart's Così fan tutte at La Scala in Milan. 


Shushakov appears as the Count on September 16, 18 and 20. 


30-year-old Andrei Jilihovschi was born in Moldova and completed his studies in choral conducting at the Ştefan Neaga Music College in the capital city of Chisinau. During his time at school he also studied singing in the opera studio and then continued his studies at the Rimsky-Korsakov St. Petersburg State Conservatoire where he sang he title role in Tchaikovsky’s Eugene Onegin.

 

From 2010-2012, he was a soloist with the Mikhailovsky Theatre in St. Petersburg where he appeared as Belcore in Donizetti's L’elisir d’amore, Schaunard in Puccini's La Boheme, Robert in Tchaikovsky's Iolanta, the Prince in Asafiev’s Cinderella, Silvano in Verdi's Un ballo in maschera, Baron Douphol in Verdi's La Traviata and Dancairo in Bizet's Carmen.

In October 2012 he joined the Bolshoi Theatre Young Artist Program and become a member of the Bolshoi ensemble two years later. He will be singing Dancaïro in Bizet's Carmen with the company from September 4-9.  Next year, he makes his debut at the Opéra National de Paris as Robert in Tchaikovsky's Iolanata.

He appears as the Count on September 17 and 19.

Aaron O'Hare wins Northern Ireland Festival of Voice Competition

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Aaron O'Hare
Aaron O'Hare from Warrenpoint in County Down kept the baritone winning streak alive at the Northern Ireland Festival of Voice Competition, winning a year after Seán Boylan took top honors.  The competition returned to the historic village of Glenarm for the fifth year and included a recital from Boylan on Friday night.

O'Hare was one of five singers in the finals, which included mezzo-soprano Katie Hainbach from Dublin, sopranos Maria McGrann from Moira and Aoife O’Connell from Greystones, and fellow baritone Cormac Lawlor from Tralee.

Aaron O’Hare completed his Bachelor's Degree in Music with honors at the University of Ulster in 2011. He is now in his second year of A Masters in Music Degree at the Royal Northern College of Music after being awarded the Associated Board of the Royal Schools of Music Entrance Scholarship. O'Hare has worked with leading companies in Ireland, including NI Opera, North West Opera, and Wide Open Opera as well as Nevill Holt Opera in England. In 2012-13 he was a member of the Northern Ireland Opera’s Young Artist Scheme and appeared at the Oxford Lieder Festival, representing the Royal Northern College of Music.

Recent performances include: Demetrius in Britten’s A Midsummer Night’s Dream and Bogdanovitch in Lehar’s The Merry Widow with the Royal Northern College of Music.

Reader Submission: Tyler Fitzgerald

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Tyler Fitgerald and the Cantilon Chamber Choir
Our latest Reader Submission is Canadian barihunk Tyler Fitzgerald, who just sang the Toreador's Song with the Cantilon Chamber Choir [pictured above] and the Edmonton Symphony Orchestra Symphony for their Under the Sky concert in Hawrelak Park.

Originally from Nanaimo, British Columbia, he just completed his second year of Calgary Opera’s Emerging Artist Program. In 2011, he received a bachelor’s degree in music from Wilfrid Laurier University. In 2012, Tyler was the recipient of the Gladys Whitehead Scholarship for Voice, and in 2011 was the winner of the Lois Marshall Competition.

Recent concert and operatic performances with the Calgary Opera include Marchese d’Obigny in Verdi's La Traviata, Don Inigo Gomez in Ravel’s L’Heure Espagnol, and Count Gill in Wolf-Ferrari’s Il Segreto di Susanna, Bonze/Prince Yamadori in Puccini's Madama Butterfly, Tarquinius in Britten's The Rape of Lucretia, and The Father in Humperdinks'Hansel and Gretel.

He has also performed in the Celtic Mass for the Sea by Canadian composer Scott MacMillian with the Festival Chorus of Calgary and in Orff's Carmina Burana and Handel’s Messiah with The Peterborough Singers.

Other roles include Count Almaviva in Mozart's Le Nozze di Figaro with Opera NUOVA, Papageno in Mozart's Die Zauberflöte with Opera Laurier, Pistola in Verdi's Falstaff with Opera Nuova, Jimmy in Weill's Mahagonny Songspiel  with Saltwater Productions, Aeneas in Purcell's Dido and Aeneas, King Melchoir in Menotti's Amahl and the Night Visitors, and Le Marquis in Poulenc's Dialogues des Carmélites.

Vittorio Prato sporting Barihunk t-shirt on website

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Vittorio Prato
We love that Vittorio Prato is proudly sporting his Barihunk t-shirt on his website's photo gallery. Few singers look better than the hunky Italian in or out of a t-shirt! Fans will be thrilled to know that he'll be back again this year in our annual charity calendar.

On September 2nd and 6th, he'll be appearing as Figaro in Rossini's Il barbiere di Siviglia at Opera di Firenze. The cast includes Laura Verrecchia as Rosina, Alessio Verna as Don Basilio and Filippo Adami as Almaviva. You can listen to his Largo al factotum on his YouTube page. Tickets are available online

Vittorio Prato backstage and at the gym
In November, he heads to the Staatstheater am Gärtnerplatz in Munich to sing Dandini in Rossini's La Cenerentola, which will be directed by the great mezzo-soprano Brigitte Fassbaender. The cast includes Arthur Espiritu as Don Ramiro,  Jasmina Sakr as Clorinda,  Dorothea Spilger as Tisbe and  Diana Haller as Angelina.

In December, he returns to Italy where he'll sing Belcore in Donizetti's L'elisir d'amore at the Teatro Comunale di Bologna with Fabrizio Paesano singing Nemorino. Tickets are available online.

Björn Bürger's really, really sexy Don Giovanni

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Björn Bürger as Don Giovanni at Den Norske Opera (photos: Jörg Wiesner)
Björn Bürger, who has previously sung Masetto, is now making his debut in the title role of Mozart's Don Giovanni. His performance, with open shirt and sporting white boxers, has been turning a few heads with his macho and sexual portrayal of the lascivious seducer. The cast includes Marcell Bakonyi as Leporello, Ann-Helen Moen as Donna Anna, Magnus Staveland as Don Ottavio and Marita Sølberg as Donna Elvira. Performances run through September 16 and tickets are available online.

Björn Bürger as Don Giovanni and Marita Sølberg as Donna Elvira. (Foto: Jörg Wiesner)
Bürger, who is making his debut with Den Norske Opera, is a member of the Frankfurt Opera where he has sung Bengtson in Reimann's Die Gespenstersonate, Astolfo in Vivaldi's Orlando Furioso, Papageno in Mozart's Die Zauberflöte and Marcello in Puccini's La boheme. He returns to Frankfurt this season to sing Frank and Fritz in Korngold's Die tote Stadt, Don Bucefalo in Valentino Fioravanti's La cantatrici villane and Curio in Handel's Giulio Cesare

Fans in the U.K. will be interested to know that he will make debut as Figaro in Rossini’s Il barbiere di Siviglia at the Glyndebourne Festival in 2016.
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